Michel Corboz Songtexte
Fuge, fuge anima mea (2 voci e violino) Laetaniae della Beata Vergine (a 6 voci e B.C. - soprano-alto) Sanctus (choeur)

1. Vivaldi: Stabat Mater in F Minor, RV 621: I. Stabat Mater dolorosa
2. Vivaldi: Stabat Mater in F Minor, RV 621: II. Cujus animam gementem
3. Vivaldi: Stabat Mater in F Minor, RV 621: III. O quam tristis
4. Vivaldi: Stabat Mater in F Minor, RV 621: IV. Quis est homo
5. Vivaldi: Stabat Mater in F Minor, RV 621: V. Quis non posset
6. Vivaldi: Stabat Mater in F Minor, RV 621: VI. Pro peccatis
7. Vivaldi: Stabat Mater in F Minor, RV 621: VII. Eja mater
8. Vivaldi: Stabat Mater in F Minor, RV 621: VIII. Fac ut ardeat
9. Vivaldi: Stabat Mater in F Minor, RV 621: IX. Amen
10. Vivaldi: Gloria in D Major, RV 588: I. Gloria
11. Vivaldi: Gloria in D Major, RV 588: II. Et in terra pax
12. Vivaldi: Gloria in D Major, RV 588: III. Laudamus te
13. Vivaldi: Gloria in D Major, RV 588: IV. Gratias agimus tibi
14. Vivaldi: Gloria in D Major, RV 588: V. Domine Deus
15. Vivaldi: Gloria in D Major, RV 588: VI. Domine Fili unigenite
16. Vivaldi: Gloria in D Major, RV 588: VII. Domine Deus, Agnus Dei
17. Vivaldi: Gloria in D Major, RV 588: VIII. Qui tollis peccata mundi
18. Vivaldi: Gloria in D Major, RV 588: IX. Qui sedes ad dexteram Patris
19. Vivaldi: Gloria in D Major, RV 588: X. Quoniam tu solus Sanctus
20. Vivaldi: Gloria in D Major, RV 588: XI. Cum Sancto Spiritu
21. Vivaldi: Nisi Dominus in G Minor, RV 608: I. Nisi Dominus
22. Vivaldi: Nisi Dominus in G Minor, RV 608: II. Vanum est vobis
23. Vivaldi: Nisi Dominus in G Minor, RV 608: III. Surgite
24. Vivaldi: Nisi Dominus in G Minor, RV 608: IV. Cum dederit
25. Vivaldi: Nisi Dominus in G Minor, RV 608: V. Sicut sagittae
26. Vivaldi: Nisi Dominus in G Minor, RV 608: VI. Beatus vir
27. Vivaldi: Nisi Dominus in G Minor, RV 608: VII. Gloria Patri
28. Vivaldi: Nisi Dominus in G Minor, RV 608: VIII. Sicut erat in principio
29. Vivaldi: Nisi Dominus in G Minor, RV 608: IX. Amen
30. Vivaldi: Kyrie in G Minor, RV 587: I. Kyrie eleison
31. Vivaldi: Kyrie in G Minor, RV 587: II. Christe eleison
32. Vivaldi: Kyrie in G Minor, RV 587: III. Kyrie eleison
33. Vivaldi: Credo in E Minor, RV 591: I. Credo in unum Deum
34. Vivaldi: Credo in E Minor, RV 591: II. Et incarnatus est
35. Vivaldi: Credo in E Minor, RV 591: III. Crucifixus
36. Vivaldi: Credo in E Minor, RV 591: IV. Et resurrexit
37. Vivaldi: Beatus vir in C Major, RV 597: I. Beatus vir
38. Vivaldi: Beatus vir in C Major, RV 597: II. Potens in terra
39. Vivaldi: Beatus vir in C Major, RV 597: III. Gloria est divitiae
40. Vivaldi: Beatus vir in C Major, RV 597: IV. Exortum est
41. Vivaldi: Beatus vir in C Major, RV 597: V. Juncundus homo
42. Vivaldi: Beatus vir in C Major, RV 597: VI. In memoria aeterna
43. Vivaldi: Beatus vir in C Major, RV 597: VII. Paratum coe ejus
44. Vivaldi: Beatus vir in C Major, RV 597: VIII. Peccator videbit
45. Vivaldi: Beatus vir in C Major, RV 597: IX. Gloria Patri
46. Vivaldi: Magnificat in G Minor, RV 610: I. Magnificat
47. Vivaldi: Magnificat in G Minor, RV 610: II. Et exultavit
48. Vivaldi: Magnificat in G Minor, RV 610: III. Et misericordia
49. Vivaldi: Magnificat in G Minor, RV 610: IV. Fecit potentiam
50. Vivaldi: Magnificat in G Minor, RV 610: V. Deposuit potentes
51. Vivaldi: Magnificat in G Minor, RV 610: VI. Esurientes
52. Vivaldi: Magnificat in G Minor, RV 610: VII. Suscepit Israel
53. Vivaldi: Magnificat in G Minor, RV 610: VIII. Sicut locutus est
54. Vivaldi: Magnificat in G Minor, RV 610: IX. Gloria
55. Vivaldi: Beatus vir, RV 598
56. Vivaldi: O qui coeli terraeque serenitas, RV 631: I. O qui caeli
57. Vivaldi: O qui coeli terraeque serenitas, RV 631: II. Fac ut sordescat tellus
58. Vivaldi: O qui coeli terraeque serenitas, RV 631: III. Rosa quae moritur
59. Vivaldi: O qui coeli terraeque serenitas, RV 631: IV. Alleluia
60. Vivaldi: Dixit Dominus in D Major, RV 594: I. Dixit Dominus
61. Vivaldi: Dixit Dominus in D Major, RV 594: II. Donec ponam inimicos tuos
62. Vivaldi: Dixit Dominus in D Major, RV 594: III. Virgam virtutis tuae
63. Vivaldi: Dixit Dominus in D Major, RV 594: IV. Tecum principium
64. Vivaldi: Dixit Dominus in D Major, RV 594: V. Juravit Dominus
65. Vivaldi: Dixit Dominus in D Major, RV 594: VI. Dominus a dextris tuis
66. Vivaldi: Dixit Dominus in D Major, RV 594: VII. Judicabit in nationibus
67. Vivaldi: Dixit Dominus in D Major, RV 594: VIII. De torrente in via
68. Vivaldi: Dixit Dominus in D Major, RV 594: IX. Gloria Patri
69. Vivaldi: Dixit Dominus in D Major, RV 594: X. Sicut erat in principio
70. Vivaldi: Lauda Jerusalem, RV 609

Monteverdi: Messa a 4 voci / Ingegneri: Tenebrae factae sunt & Lamentations de Jérémie

1. Missa a 4 voci da capella, SV 190: I. Kyrie (von Ensemble Vocal de Lausanne, Michel Corboz)
2. Missa a 4 voci da capella, SV 190: II. Gloria (von Ensemble Vocal de Lausanne, Michel Corboz)
3. Missa a 4 voci da capella, SV 190: III. Credo (von Ensemble Vocal de Lausanne, Michel Corboz)
4. Missa a 4 voci da capella, SV 190: IV. Sanctus (von Ensemble Vocal de Lausanne, Michel Corboz)
5. Missa a 4 voci da capella, SV 190: V. Benedictus (von Ensemble Vocal de Lausanne, Michel Corboz)
6. Missa a 4 voci da capella, SV 190: VI. Agnus Dei (von Ensemble Vocal de Lausanne, Michel Corboz)
7. Tenebrae factae sunt, motet (von Ensemble Vocal de Lausanne, Michel Corboz)
8. Three Lamentations of Jeremiah: De Lamentatione Jeremiae
9. Three Responses for the Matins of Holy Saturday: Sicut ovis (von Ensemble Vocal de Lausanne, Michel Corboz)
10. Three Lamentations of Jeremiah: Aleph. Quomodo obscuratum est aurum
11. Three Responses for the Matins of Holy Saturday: Jerusalem surge (von Ensemble Vocal de Lausanne, Michel Corboz)
12. Three Lamentatione of Jeremiah: Incipit lamentatio Jeremiae
13. Three Responses for the Matins of Holy Saturday: Plange quasivirgo (von Ensemble Vocal de Lausanne, Michel Corboz)

A. Scarlatti: Motets & Missa ad usum Cappellae Pontificiae

1. Intellige clamorem meum (von Ensemble Vocal de Lausanne, Michel Corboz)
2. Salvum fac populum tuum (von Ensemble Vocal de Lausanne, Michel Corboz)
3. Exaltabo te Domine quoniam (von Ensemble Vocal de Lausanne, Michel Corboz)
4. Domine vivifica me (von Ensemble Vocal de Lausanne, Michel Corboz)
5. Ad te Domine levavi (von Ensemble Vocal de Lausanne, Michel Corboz)
6. Exsultate Deo adjutori (von Ensemble Vocal de Lausanne, Michel Corboz)
7. Missa ad usum Capellae Pontificiae: I. Kyrie (von Ensemble Vocal de Lausanne, Michel Corboz)
8. Missa ad usum Capellae Pontificiae: II. Gloria (von Ensemble Vocal de Lausanne, Michel Corboz)
9. Missa ad usum Capellae Pontificiae: III. Credo (von Ensemble Vocal de Lausanne, Michel Corboz)
10. Missa ad usum Capellae Pontificiae: IV. Sanctus (von Ensemble Vocal de Lausanne, Michel Corboz)
11. Missa ad usum Capellae Pontificiae: V. Benedictus (von Ensemble Vocal de Lausanne, Michel Corboz)
12. Missa ad usum Capellae Pontificiae: VI. Agnus Dei (von Ensemble Vocal de Lausanne, Michel Corboz)

Monteverdi: Vespro della Beata Vergine, SV 206 (beginning)

1. Vespro della Beata Vergine, SV 206: I. Domine ad adjuvandum me (sex vocibus et sex instrumentis)
2. Vespro della Beata Vergine, SV 206: II. Dixit Dominus (Psalm 109) (sex vocibus et sex instrumentis)
3. Vespro della Beata Vergine, SV 206: III. Nigra sum (Motetto ad una voce)
4. Vespro della Beata Vergine, SV 206: IV. Laudate pueri Dominum (Psalm 112) (octo vocibus)
5. Vespro della Beata Vergine, SV 206: V. Pulchra es (a due voci)
6. Vespro della Beata Vergine, SV 206: VI. Laetatus sum (Psalm 121) (a sei voci)
7. Vespro della Beata Vergine, SV 206: VII. Duo Seraphim (a tre voci)
8. Vespro della Beata Vergine, SV 206: VIII. Nisi Dominus (Psalm 126) (a dieci voci)
9. Vespro della Beata Vergine, SV 206: IX. Audi Coelum (sex vocibus)
10. Vespro della Beata Vergine, SV 206: X. Lauda, Jerusalem (Psalm 147) (septem vocibus)

Monteverdi: Vespro della Beata Vergine, SV 206 (conclusion)

1. Vespro della Beata Vergine, SV 206: XII. Sonata sopra Santa Maria pro nobis (a 8)
2. Vespro della Beata Vergine, SV 206: XIII. Ave maris stella Hymnis (octo vocibus)
3. Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XIV. Magnificat
4. Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XV. Anima mea Dominum (a 2 voci)
5. Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XVI. Et exultavit (a 3 voci)
6. Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XVII. Quia respexit (ad una voce sola)
7. Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XVIII. Quia fecit (a 6 voci in dialogo)
8. Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XIX. Et misericordia (a 3 voci)
9. Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XX. Fecit potentiam (a 3 voci)
10. Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXI. Deposuit, et cantano doi (soprani in echo)
11. Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXII. Esurientes (a 2 voci)
12. Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXIII. Suscepit Israel (a 2 voci)
13. Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXIV. Sicut locutus est (a 5 voci in dialogo)
14. Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXV. Gloria Patri (a 6 voci)
15. Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXVI. Sicut erat in principio
16. Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXVII. Magnificat
17. Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXVIII. Anima mea Dominum (ad una voce sola)
18. Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXIX. Et exultavit (a 3 voci)
19. Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXX. Quia respexit (ad una voce et sei instrumenti)
20. Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXI. Quia fecit (a 3 voici et doi instrumenti)
21. Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXII. Et misericordia (a 6 voci sole in dialogo)
22. Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXIII. Fecit potentiam (ad una voce et tre instrumenti)
23. Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXIV. Deposuit potentes (ad una voce et tre instrumenti)
24. Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXV. Et exultavit (ad una voce et tre instrumenti)
25. Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXVI. Esurientes (a 2 voici et quattro instrumenti)
26. Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXVII. Suscepit Israel (a 3 voci)
27. Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXVIII. Sicut locutus est (ad una voce et sei instrumenti)
28. Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXIX. Gloria Patri (a 3 voci due de le quali cantano in echo)
29. Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XL. Sicut erat in principio (tutti gli instrumenti et voci)

Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice I

1. Laetatus sum, SV 198 (a 5 strumenti e 6 voci)
2. Nisi Dominus, SV 200 (a 3 voci e due violini, B.C. - alto, baritono, basso)
3. Laudate pueri Dominum, SV 196 (a 5 voci e B.C.)
4. Laetaniae della Beata Virgine, SV 204 (a 5 voci e B.C. - soprano, alto)
5. Currite populi, SV 297 (a voce sola e B.C. - baritono)
6. O beatae viae, SV 312 (a 2 voci e B.C. - soprano, alto)
7. Gloria, SV 258 (a 7 voci concertate con strumenti)
8. Salve Regina, SV 284 (a 2 voci e B.C. - 2 soprani)

Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice II

1. Laudate Dominum jomnes gentes, SV 272a (a 5 voci concerto con 2 violini e B.C.)
2. Confitebor, SV 266 (a 3 voci concerto con 2 violini e B.C. - soprano, tenore, basso)
3. Magnificat, SV 282 (a 4 voci in genere da capella)
4. Dixit Dominus, SV 264 (a 8 voci, coro, soli e orchestra)
5. O ciechi il tanto affaticar, SV 252 (coro e orchestra)
6. Voi ch'ascoltate, SV 253 (soli e orchestra)
7. E questa vita un lampo, SV 254 (coro e 5 voci)
8. Et iterum, SV 261 (2 tenori e baritono)
9. Deus tuorum militum, SV 280 (3 voci e 2 violini - alto, tenore, basso)
10. Laudate Dominum omnes gentes, SV 272 (voce sola)
11. Magnificat, SV 281 (a 8 voci, coro, soili e orchestra)

Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice III

1. Fuge, fuge, anima mea, SV 305 (2 voci e violino)
2. Adoramus, SV 289 (coro a 6 voci)
3. Ego dormio, SV 300 (tenor e basso)
4. Venite, venite silientes, SV 335 (soprano e alto)
5. Confitebor, SV 267 (coro e soprano)
6. Spontava il di, SV 255 (alto, tenore, baritono)
7. Chi vol che m'innamori, SV 256 (alto, tenore, baritono e 2 violini)
8. Sanctorum meritis, SV 277 (voce sola e 2 violini)
9. Beatus vir, SV 269 (coro a 5 voci)
10. Laudate pueri Dominum, SV 271 (coro a 5 voci e 2 tenori)
11. Jubilet tota civitas, SV 286 (soprano)
12. Memento, SV 276 (coro a 8 voci)
13. Ab aeterno, SV 262 (basso)

Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice IV

1. Nisi Dominus, SV 201 (coro a 6)
2. Confitebor, SV 296 (soprano e orchestra)
3. Dixit Dominus, SV 192 (doppio coro)
4. Laudate Dominum, SV 197 (voce sola)
5. Cantate Domino, SV 292 (a 2 voci)
6. Christe adoramus te, SV 294 (coro a 5 voci)
7. Salve Regina, SV 327 (voce sola) (von Ensemble Instrumental de Lausanne, Michel Corboz)
8. Domine, ne in furore, SV 298 (coro a 6 voci)
9. Sancta Maria, SV 328 (soprano e alto)
10. Lauda Jerusalem, SV 203 (coro a 5 voci)
11. Dixit Dominus, SV 263 (a 8 voci, coro, soli e orchestra)
12. Salve Regina, SV 285 (alto, tenore e basso)

Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice V

1. Iste confessor, SV 279 (a 2 soprani e 2 violini)
2. Beatus vir, SV 268 (coro e orchestra)
3. Confitebor, SV 265 (contro-tenore, tenore, basso, coro)
4. Salve Regina, SV 283 (2 tenori e 2 violini)
5. Laudate Dominum, SV 273 (a 8 voci, coro e orchestra)
6. Et resurrexit, SV 260 (2 soprani e 2 violini)
7. Beatus vir, SV 195 (a 7 voci, coro, soli e orchestra)
8. Salve Regina, SV 326 (voce sola - soprano)
9. Confitebor, SV 194 (2 voci e orchestra - soprano, tenor)
10. Dixit Dominus, SV 191 (a 8 voci, coro e soli)

Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice VI

1. O bone Jesu, SV 313 (a 2 voci - soprano, alto)
2. O quam pulchra, SV 317 (voce sola - tenore)
3. En gratulemur hodie, SV 302 (1 voce e 2 violini - tenore)
4. Laetatus sum, SV 199 (coro a 5 voci)
5. Laudate pueri Dominum, SV 270 (a 5 voci, coro, basso solo e orchestra)
6. Pianto della Madonna sopra il Lamento dell'Ariana, SV 288 (voce sola - alto)
7. Crucifixus, SV 259 (coro a 4 voci)
8. Sanctorum meritis, SV 278 (1 voce e 2 violini - tenore) (von Ensemble Instrumental de Lausanne, Michel Corboz)
9. Laudate Dominum, SV 274 (a 8, coro e soli - 2 soprani)
10. Cantate Domino, SV 293 (coro a 6 voci)
11. Lauda Jerusalem, SV 202 (contro-tenore, baritono e basso)
12. Ecce sacrum paratum, SV 299 (voce sola - tenore)
13. Ego flos campi, SV 301 (voce sola - alto)
14. Credidi procter, SV 275 (doppio coro)

Monteverdi: Orfeo (beginning)

1. Orfeo: Toccata
2. Orfeo: Prologo: Ritornello (La Musica)
3. Orfeo: Atto Primo. “In questo lieto e fortunato giorno”
4. Orfeo: Atto Primo. “Vieni Imeneo”
5. Orfeo: Atto Primo. “Muse, onor di Parnaso, amor del cielo” (Shepherd 1, Nymph, Chorus of Nymphs and Shepherds)
6. Orfeo: Atto Primo. “Lasciate i monti”
7. Orfeo: Atto Primo. “Ma tu, gentil cantor” - “Rosa del ciel, vita del mondo” / “Io non dirò qual sia” (Chorus of Nymphs and Shepherds, Shepherd 3, Orfeo, Euridice)
8. Orfeo: Atto Primo. “Vieni Imeneo, deh, vieni” (Chorus of Nymphs and Shepherds)
9. Orfeo: Atto Primo. “Ma s'il nostro gioir…” - Ritornello
10. Orfeo: Atto Primo. “Alcun non sia…” - Ritornello - “Chè, poichè nembo…” - Ritornello - “E dopo l'aspro…” - “Ecco Orfeo cui…” (Nymph, Shepherds, Chorus of Nymphs and Shepherds)
11. Orfeo: Atto Secondo. “Ecco pur ch'a voi ritorno” - “Mira ch'a sè n'alletta”
12. Orfeo: Atto Secondo. “In questo prato adorno” (Orfeo, Shepherd 1, Shepherd 2, Chorus of Nymphs and Shepherds)
13. Orfeo: Atto Secondo. “Vi ricorda, o bosch' ombrosi” (Orfeo)
14. Orfeo: Atto Secondo. “Mira, deh mira” - “Ahi caso acerbol ahi fat' empio e crudele!” - “Tu se' morta, mia vita, ed io respiro?” (Messenger, Orfeo, Shepherds)
15. Orfeo: Atto Secondo. “Ahi caso acerbo, ahi fat'empio e crudele!”
16. Orfeo: Atto Secondo. “Maio ch'in questa lingua” (Messenger, Chorus of Nymphs and Shepherds)
17. Orfeo: Atto Secondo. “Chi ne consola, ahi lassi?” - “Ahi caso acerbo…” - “Ma dove, ah, dove or sono” - “Ahi caso acerbo…” - Ritornello (Shepherd 1, Shepherd 2, Chorus of Nymphs and Shepherds)

Monteverdi: Orfeo (conclusion)

1. Orfeo: Sinfonia - “Scorto da te, mio Nume” (Orfeo)
2. Orfeo: Atto Terzo. “Ecco l'astra palude, ecco il nocchiero” - “Dove, ah, dove te 'n vai” (La Speranza, Orfeo)
3. Orfeo: Atto Terzo. “O tu ch'innanzi mort' a queste rive” - Sinfonia (Caronte)
4. Orfeo: Atto Terzo. “Possente spirto e formidabil Nume” (Orfeo)
5. Orfeo: Atto Terzo. “Sol tu, nobile dio, puoi darmi aita” (Caronte, Orfeo)
6. Orfeo: Atto Terzo. “Ei dorme, e la mia cetra” (Orfeo)
7. Orfeo: Atto Terzo. Sinfonia - “Nulla impresa per uom si tenta invano” (Chorus of Infernal Spirits)
8. Orfeo: Atto Quarto. “Signor, quell'infelice” (Proserpina)
9. Orfeo: Atto Quarto. “Benchè severo ed”
10. Orfeo: Atto Quarto. “O degli abitator… Pietade oggi e Amore” (Plutone, Spirits, Proserpina, Chorus of Infernal Spirits)
11. Orfeo: Atto Quarto. “Qual onor di te fia degno” (Orfeo)
12. Orfeo: Atto Quarto. “Ahi, vista troppo dolce e troppo amara!” - “Torn'a l'ombre di morte” (Euridice, Spirit 1, Orfeo, Chorus of Infernal Spirits)
13. Orfeo: Atto Quarto. “E' la virtute un raggio” - Sinfonia (Chorus of Infernal Spirits)
14. Orfeo: Atto Quinto. Ritornello
15. Orfeo: Atto Quinto. “Questi i campi di Tracia…” - Sinfonia (Orfeo, Eco)
16. Orfeo: Atto Quinto. “Perch'a lo sdegno ed al dolor in preda” (Apollo, Orfeo)
17. Orfeo: Atto Quinto. “Saliam cantand' al cielo” (Apollo, Orfeo)
18. Orfeo: Atto Quinto. Ritornello - “Vanne, Orfeo, felice appieno” - Moresca (Chorus)

La Chanson et la danse – Paris, vers 1540

1. Il estoit une fillette: Chanson à quatre (1540)
2. Il estoit une fillette: Ronde (1551)
3. Il estoit une fillette: Chanson accompagnée
4. Mari je songeois l'aultre jour: Chanson à quatre (1532)
5. Mari je songeois l'aultre jour: Branle gay (1547)
6. Mari je songeois l'aultre jour: Branle gay (1564)
7. Pourquoi donc ne fringuerons-nous: Chanson à quatre (1533)
8. Pourquoi donc ne fringuerons-nous: Rondo (1551)
9. C'est grand plaisir: Chanson à trois (1529)
10. C'est grand plaisir: Chanson transcrite pour clavier (1531)
11. C'est grand plaisir: Tourdion (1547)
12. Mille regretz: Chanson à quatre (1520)
13. Mille regretz: Pavane (1551)
14. C'est à grand tort: Chanson à quatre (1520)
15. C'est à grand tort: Chanson transcrite pour clavier (1531)
16. C'est à grand tort: Chanson transcrite pour deux instruments (1552)
17. La Volonté: Basse danse (1547)
18. La Volonté: Chanson à quatre (1543)
19. Celle qui m'a le nom d'amy donné: Chanson à quatre (1543)
20. Celle qui m'a le nom d'amy donné: Basse danse (1547)
21. Ramonez-moi ma cheminée: Chanson à quatre (1539)
22. Jectez-moi sur l'herbette: Chanson à quatre (1533)
23. Suite de danseries, tirée du « Second livre » (1547): Pavane 47
24. Suite de danseries, tirée du « Second livre » (1547): Gaillarde 49
25. Suite de danseries, tirée du « Second livre » (1547): Gaillarde 50 (à cinq, sur La Romanesca)
26. Suite de danseries, tirée du « Second livre » (1547): Basse danse 19
27. Suite de danseries, tirée du « Second livre » (1547): Branle simple 21
28. Suite de danseries, tirée du « Second livre » (1547): Branle simple 35
29. Suite de danseries, tirée du « Second livre » (1547): Tourdion 9
30. Suite de danseries, tirée du « Second livre » (1547): Tourdion 10
31. Suite de danseries, tirée du « Second livre » (1547): Branle gay 36 “Que je chatouille ta fossette”
32. Suite de danseries, tirée du « Second livre » (1547): Branle gay 23
33. J'ay le rebours: Chanson à quatre (1562)
34. J'ay le rebours: Pavane (1571)
35. J'ay le rebours: Gaillarde (1571)
36. Dont viens cela: Chanson à quatre (1530)
37. Dont viens cela: Basse danse (1551)
38. Auprès de vous: Chanson à quatre (1530)
39. Auprès de vous: Basse danse (1547)
40. Auprès de vous: Chanson transcrite pour clavier (1531)
41. Fricassée: Chanson à quatre, accompagnée (1531)

La Chanson de Lausanne

1. La Chère Maison
2. Les Bonnes Dames de Saint‐Gervais
3. J’ai descendu au verger
4. Heureux celui qui revoit sa patrie
5. Oh ! que la vie est douce chose
6. La Jardinière du roy
7. La Moisson
8. Nous n’avons chez nous
9. Nouthra Dona di Maortsé
10. Trois jeunes tambours
11. C’est le joly mois de may
12. Gentil coqu’licot
13. Mon père tôt m’a mariée
14. La Marion
15. J’ai vu le loup, le renard, le lièvre
16. Rossignolet du bois
17. Le Vira do minho
18. Les Yeux de la Marianita
19. Berceuse polonaise
20. Le jour est là
21. Chanson dans le vent “Pisnicka”

Goudimel: Mass “La Bien que j’ay” / Six Psalms

1. “Or sus tous humains”
2. “Que Dieu se montre seulement”
3. “Laisse-moi désormais”
4. “Mon cœur rempli”
5. “O Seigneur”
6. “Du fond de ma pensée”
7. Mass “La Bien que j'ay”: I. Introit
8. Mass “La Bien que j'ay”: II. Kyrie
9. Mass “La Bien que j'ay”: III. Gloria
10. Mass “La Bien que j'ay”: IV. Alleluia
11. Mass “La Bien que j'ay”: V. Credo
12. Mass “La Bien que j'ay”: VI. Offertoire
13. Mass “La Bien que j'ay”: VII. Sanctus
14. Mass “La Bien que j'ay”: VIII. Benedictus
15. Mass “La Bien que j'ay”: IX. Communion
16. Mass “La Bien que j'ay”: X. Agnus Dei

De Lalande: De profundis / Regina cœli

1. De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: I. Symphonie - Récit et chœur: “De profundis clamavi”
2. De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: II. Quator: “Fiant aures tuae”
3. De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: III. Récit: “Si iniquitates observaveris Domine”
4. De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: IV. Trio: “Quia apud te apropriatio est”
5. De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: V. Récit: “Sistinuit anima”
6. De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: VI. Trio: “Sistinuit anima” - Récit: “A Custodia matutina”
7. De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: VII. Due et chœur: “A Custodia matutina”
8. De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: VIII. Récit: “Quia apud Dominum misericordia”
9. De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: IX. Chœur: “Et ipse redimet Israel”
10. De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: X. Chœur: “Requiem aeternam”
11. De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: XI. Chœur: “Et lux perpetua”
12. Regina coeli, pour soli, chœur et orchestre, S. 53: I. Duo et chœur: “Regina coeli laetare”
13. Regina coeli, pour soli, chœur et orchestre, S. 53: II. Récit: “Quia quem meruisit” - Trio: “Resurrexit”
14. Regina coeli, pour soli, chœur et orchestre, S. 53: III. Chœur: “Ora pro nobis, Deum, Alleluia”

I Dolci Frutti: Venice before Monteverdi (I)

1. Ricercare per sonar (in 8 parts: brass instruments)
2. Risonanza di echo (8 solo voices)
3. L'Olica, canzon per sonar (in 4 parts: violas)
4. Non dispregiate i miserelli amanti (3 solo voices and violas da gamba)
5. Padre del ciel (in 5 parts: organ)
6. Boscareccia pastorale (12 voices triple chorus)
7. Hor che nel suo bel seno (8 voices double chorus)
8. Canone a l'unissono (in 8 parts: brass instruments and organ)
9. Lieti fieri e felici, e ben nate erbe (in 5 parts: mezzo-soprano and violas)
10. Sparve e ogni stella in cielo (in 6 parts: 2 trumpets and violas)
11. Pasce la pecorella (in 5 parts: soprano, tenor, violas and harpsichord)
12. Canzone prima: “La Spiratata” (in 4 parts: brass instruments, violas and continuo)
13. Io mi sento morire (in 8 parts: brass instruments)

I Dolci Frutti: Venice before Monteverdi (II)

1. Canzon fa-sol-la-ré (in 8 parts: double chorus, brass instruments, vioas da gamba and organ)
2. Niuna sconsolata (soprano and violas da gamba)
3. Canzon seconda (in 4 parts: organ) (von Ensemble Instrumental de Lausanne, Michel Corboz)
4. Poi ch'il mio largo pianto (5 solo voices)
5. Tratto fuora del Mare (in 6 parts: recorder, violas da gamba and harpsichord) (von Ensemble Instrumental de Lausanne, Michel Corboz)
6. Echo Vinegia bella (12 voices chorus)
7. Canzon per sonar (in 4 parts: brass instruments) (von Ensemble Instrumental de Lausanne, Michel Corboz)
8. Battaglia (8 voices, first and second part)
9. Gravi pene in amor (in 5 parts: brass instruments) (von Ensemble Instrumental de Lausanne, Michel Corboz)
10. Amor è gratiosa e dolce voglia (5 solo voices)
11. Canzon per sonar (in 4 parts: violas) (von Ensemble Instrumental de Lausanne, Michel Corboz)
12. Non rumor di tamburi (7 solo voices)
13. Canzone (in 5 parts: recorder, violas da gamba and harpsichord) (von Ensemble Instrumental de Lausanne, Michel Corboz)
14. A le guancie di rose (8 solo voices dialog)
15. Canzone quarta (in 4 parts: organ) (von Ensemble Instrumental de Lausanne, Michel Corboz)

Gabrieli: Sacrae Symphoniae vol. 1

1. Plaudite omnis terra
2. Miserere mei, Deus
3. Domine exaudi orationem meam
4. Cantate Domino
5. Canzon noni toni
6. Diligam te Domine
7. Jubilate Deo
8. Missa: Kyrie
9. Missa: Gloria
10. Missa: Sanctus
11. Canzon primi toni
12. Ego rogabo patrem
13. Virtute magna
14. Magnificat

Gabrieli: Sacrae Symphoniae vol. 2

1. Magnificat
2. O Domine Jesu Christe
3. Hodie Christus natus est
4. Hoc tegitur
5. Sancta et immaculata Virginatas
6. Angelus Domini descendit
7. Nunc dimittis
8. Jam non dicam vos servos
9. Misericordias Domini
10. Jubilate Deo
11. O Jesu mi dulcissime
12. Regina coeli
13. Ego sum qui sum

Bach: Magnificat / Cantata BWV 187

1. Magnificat in D major, BWV 243: I. Magnificat (chorus)
2. Magnificat in D major, BWV 243: II. Et exultavit spiritus meus (soprano II)
3. Magnificat in D major, BWV 243: III. Quia respexit humilitatem (soprano I)
4. Magnificat in D major, BWV 243: IV. Omnes generationes (chorus)
5. Magnificat in D major, BWV 243: V. Quia fecit mihi magna (bass)
6. Magnificat in D major, BWV 243: VI. Et misericordia (alto, tenor)
7. Magnificat in D major, BWV 243: VII. Fecit potentiam (chorus)
8. Magnificat in D major, BWV 243: VIII. Deposuit potentes (chorus)
9. Magnificat in D major, BWV 243: IX. Esurientes implevit bonis (alto)
10. Magnificat in D major, BWV 243: X. Suscepit Israel (soprano I & II, alto)
11. Magnificat in D major, BWV 243: XI. Sicut locutus est (chorus)
12. Magnificat in D major, BWV 243: XII. Gloria Patri (chorus)
13. Cantata “Es wartet alles auf dich”, BWV 187: I. Chorus: “Es wartet alles auf dich”
14. Cantata “Es wartet alles auf dich”, BWV 187: II. Recitative: “Was Kreaturen häit, das große Rund der Welt” (bass)
15. Cantata “Es wartet alles auf dich”, BWV 187: III. Aria: “Du, Herr, du krönst allein das Jahr” (alto)
16. Cantata “Es wartet alles auf dich”, BWV 187: IV. Aria: “Darum sollt ihr nicht sorgen” (bass)
17. Cantata “Es wartet alles auf dich”, BWV 187: V. Aria: “Gott versorget alles Leben” (soprano)
18. Cantata “Es wartet alles auf dich”, BWV 187: VI. Recitative: “Halt ich nur fest an ihm” (soprano)
19. Cantata “Es wartet alles auf dich”, BWV 187: VII. Choral: “Gott hat die Erde zugericht” (chorus)

Bach: Mass in B minor, BWV 232 (beginning)

1. Mass in B minor, BWV 232: Kyrie. I. Kyrie eleison I (chorus)
2. Mass in B minor, BWV 232: Kyrie. II. Christe eleison (soprano, mezzo-soprano)
3. Mass in B minor, BWV 232: Kyrie. III. Kyrie eleison II (chorus)
4. Mass in B minor, BWV 232: Gloria. IV. Gloria in excelsis (chorus)
5. Mass in B minor, BWV 232: Gloria. V. Et in terra pax (chorus)
6. Mass in B minor, BWV 232: Gloria. VI. Laudamus te (soprano)
7. Mass in B minor, BWV 232: Gloria. VII. Gratias agimus tibi (chorus)
8. Mass in B minor, BWV 232: Gloria. VIII. Domine Deus (soprano, tenor)
9. Mass in B minor, BWV 232: Gloria. IX. Qui tollis peccata mundi (chorus)
10. Mass in B minor, BWV 232: Gloria. X. Qui sedes ad dexteram Patris (mezzo-soprano)
11. Mass in B minor, BWV 232: Gloria. XI. Quoniam tu solus sanctus (bass)
12. Mass in B minor, BWV 232: Gloria. XII. Cum Sancto Spiritu (chorus)

Bach: Mass in B minor, BWV 232 (conclusion)

1. Mass in B minor, BWV 232: Credo. XII. Credo in unum Deum (chorus)
2. Mass in B minor, BWV 232: Credo. XIII. Patrem omnipotentem (chorus)
3. Mass in B minor, BWV 232: Credo. XIV. Et in unum Dominum (soprano, mezzo-soprano)
4. Mass in B minor, BWV 232: Credo. XV. Et incarnatus est (chorus)
5. Mass in B minor, BWV 232: Credo. XVI. Crucifixus (chorus)
6. Mass in B minor, BWV 232: Credo. XVII. Et resurrexit (chorus)
7. Mass in B minor, BWV 232: Credo. XVIII. Et in Spiritum Sanctum Dominum (baritone)
8. Mass in B minor, BWV 232: Credo. XIX. Confiteor
9. Mass in B minor, BWV 232: Credo. XX. Et expecto (chorus)
10. Mass in B minor, BWV 232: Sanctus. XXI. Sanctus (chorus)
11. Mass in B minor, BWV 232: Sanctus. XXII. Osanna in excelsis (chorus)
12. Mass in B minor, BWV 232: Sanctus. XXIII. Benedictus (tenor)
13. Mass in B minor, BWV 232: Sanctus. XXIV. Osanna repetirur (chorus)
14. Mass in B minor, BWV 232: Sanctus. XXV. Agnus Dei (mezzo-soprano)
15. Mass in B minor, BWV 232: Sanctus. XXVI. Dona nobis pacem (chorus)

Carissimi: Jephté et Trois motets

1. Historia di Jephte, oratorio for soli, chorus and orchestra: “Cum vocasset in proelium” (Historicus, Jephte, chorus)
2. Historia di Jephte, oratorio for soli, chorus and orchestra: “Et percussit Jephte” (Historicus)
3. Historia di Jephte, oratorio for soli, chorus and orchestra: “Cum autem victor Jephte” (Historicus, Filia, chorus)
4. Historia di Jephte, oratorio for soli, chorus and orchestra: “Cantate mecum Domino” (Filia, chorus)
5. Historia di Jephte, oratorio for soli, chorus and orchestra: “Cum vidisset Jephte” (Historicus, Jephte)
6. Historia di Jephte, oratorio for soli, chorus and orchestra: “Pater mi, si voviste votum Domino” (Filia, Jephte)
7. Historia di Jephte, oratorio for soli, chorus and orchestra: “Vade filia mea” (Jephte, Historicus a 4)
8. Historia di Jephte, oratorio for soli, chorus and orchestra: “Plorate colles” (Filia, Eccho)
9. Historia di Jephte, oratorio for soli, chorus and orchestra: “Plorate filii Israel” (chorus)
10. Motet “O qual pulchra es”, for soprano, strings and continuo
11. Motet “O vulnera dolorim”, for bass and organ
12. Motet “Salve, salve puellule”, for tenor, strings and continuo

Carissimi: Ezechias / Abraham et Isaac / Tolle Sponza / Messe à huit voix

1. Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Aegrotante Ezechia” (Angeli, Dominus)
2. Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Ezechia, hoc tibi dicit Dominus” (Isaias, Ezechias, Angeli)
3. Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Obsecro, Domine” (Ezechias)
4. Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Misertus est autem Dominus Ezechia et ait” (Angeli, Dominus, Ezechias)
5. Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Narrabimus omnes opera Domini” (chorus)
6. Tolle Sponsa for soprano, bass, chorus and continuo
7. Messa a otto voci, IGC 27: Kyrie
8. Messa a otto voci, IGC 27: Gloria
9. Messa a otto voci, IGC 27: Credo
10. Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Tentavit Deus Abraham” (Historicus, Deus)
11. Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Pater mi, ecce ignis” (Isaac, Historicus, Abraham)
12. Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Non extendas manum tuam super Isaac” (Angelus, Abraham, Isaac)
13. Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Vocavit et iterum Angelus Domini” (Historicus, Angelus, chorus)
14. Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Qui misit Angelum” (Abraham, chorus)

Charpentier: Messe pour les trépassés (1)

1. Messe pour les trépassés, H. 2: Symphonie - Kyrie
2. Messe pour les trépassés, H. 2: Dies irae (H. 12)
3. Messe pour les trépassés, H. 2: Liber scriptus
4. Messe pour les trépassés, H. 2: Juste judex
5. Messe pour les trépassés, H. 2: Oro supplex
6. Motet pour les trépassés, H. 311: Symphonie - Miseremini mei
7. Motet pour les trépassés, H. 311: Hei, hei mihi, Domine
8. Motet pour les trépassés, H. 311: Ritournelle - Ah, ah poenis crucior nimis asperis

Charpentier: Messe pour les trépassés (2)

1. Motet pour les trépassés, H. 311: Symphonie - Miseremini mei
2. Messe pour les trépassés, H. 2: Symphonie - Sanctus
3. Messe pour les trépassés, H. 2: Pie Jesu
4. Messe pour les trépassés, H. 2: Benedictus
5. Messe pour les trépassés, H. 2: Symphonie - Agnus Dei
6. Miserere des Jésuites, H. 193: Prélude
7. Miserere des Jésuites, H. 193: Miserere mei Deus (bass, chorus)
8. Miserere des Jésuites, H. 193: Amplius lava me (soli)
9. Miserere des Jésuites, H. 193: Ecce enim (soli, chorus)
10. Miserere des Jésuites, H. 193: Asperges me hysopo (tenor)
11. Miserere des Jésuites, H. 193: Auditui meo dabis gaudium (soli)
12. Miserere des Jésuites, H. 193: Averte faciem tuam a peccatis meis (soli, chorus)
13. Miserere des Jésuites, H. 193: Ne projicias me a facie tua (soprano, alto)
14. Miserere des Jésuites, H. 193: Docedo iniquos vias tuas (chorus)
15. Miserere des Jésuites, H. 193: Libera me de sanguinibus Deus (bass, tenor, chorus)
16. Miserere des Jésuites, H. 193: Sacrificium Deo spiritus contribulatus (soprano)
17. Miserere des Jésuites, H. 193: Benigne fac Domine (soprani)
18. Miserere des Jésuites, H. 193: Tunc acceptabilis sacrificium iusititiae oblationes (chorus)

Bach: Missae breves I

1. Mass in F major, BWV 233: Kyrie (chorus) (von Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
2. Mass in F major, BWV 233: Gloria (chorus) (von Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
3. Mass in F major, BWV 233: Domine Deus (bass) (von Philippe Huttenlocher, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
4. Mass in F major, BWV 233: Qui tollis (soprano) (von Wally Staempfli, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
5. Mass in F major, BWV 233: Quoniam (alto) (von Claudine Perret, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
6. Mass in F major, BWV 233: Cum Sancto Spiritu (chorus) (von Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
7. Mass in A major, BWV 234: Kyrie (chorus) (von Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
8. Mass in A major, BWV 234: Gloria (chorus) (von Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
9. Mass in A major, BWV 234: Domine Deus (bass) (von Philippe Huttenlocher, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
10. Mass in A major, BWV 234: Qui tollis (soprano) (von Wally Staempfli, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
11. Mass in A major, BWV 234: Quoniam (alto) (von Hanna Schaer, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
12. Mass in A major, BWV 234: Cum Sancto Spiritu (chorus) (von Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
13. Sanctus in D minor, BWV 239 (chorus) (von Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
14. Sanctus in G major, BWV 240 (chorus) (von Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
15. Sanctus in D major, BWV 241 (double chorus) (von Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)

Bach: Missae breves II

1. Mass in G major, BWV 236: Kyrie (chorus) (von Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
2. Mass in G major, BWV 236: Gloria (chorus) (von Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
3. Mass in G major, BWV 236: Gratias agimus tibi (bass) (von Philippe Huttenlocher, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
4. Mass in G major, BWV 236: Domine Deus (soprano, alto) (von Nicole Rossier, Wally Staempfli, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
5. Mass in G major, BWV 236: Quoniam (tenor) (von John Elwes, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz, Olivier Dufour)
6. Mass in G major, BWV 236: Cum Sancto Spiritu (chorus) (von Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
7. Mass in G minor, BWV 235: Kyrie (chorus) (von Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
8. Mass in G minor, BWV 235: Gloria (chorus) (von Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
9. Mass in G minor, BWV 235: Gratias agimus tibi (bass) (von Philippe Huttenlocher, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
10. Mass in G minor, BWV 235: Domine fili (alto) (von Hanna Schaer, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
11. Mass in G minor, BWV 235: Qui tollis (tenor) (von Olivier Dufour, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
12. Mass in G minor, BWV 235: Cum Sancto Spiritu (chorus) (von Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
13. Sanctus in D major, BWV 238 (chorus) (von Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
14. Christe eleison, BWV 242 (soprano, alto) (von Nicole Rossier, Wally Staempfli, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
15. Sanctus in C major, BWV 237 (chorus) (von Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)

Chansons et Madrigaux de la Renaissance avec leur Double Orrié par Bassano

1. Un gay bergier: Vocal version
2. Un gay bergier: Instrumental version
3. Anchor che co'l partire: Lute version
4. Anchor che co'l partire: Vocal version
5. Anchor che co'l partire: Instrumental version
6. Ver'inferno: Vocal version
7. Ver'inferno: Lute version
8. Susanne un jour: Vocal version
9. Susanne un jour: Instrumental version
10. Frais et gaillart: Vocal version
11. Frais et gaillart: Instrumental version
12. Fantasia senza canto, for lute
13. Tirsi morir volea, vocal version

Marcello: Seven Psalms I

1. Salmo quarantesimosecondo “Judica me Deus” (Psalm 42), for bass and string orchestra
2. Salmo quarto “Cum invocarem exaudivit” (Psalm 4), for alto, soprano, women's chorus and continuo
3. Salmo vigesimonono “Exaltabo Te Domine” (Psalm 29), for tenor, baritone, chorus and orchestra
4. Salmo quarantesimosesto “Omnes gentes plaudite manibus” (Psalm 46), for soprano and continuo

Marcello: Seven Psalms II

1. Salmo decimo “In Domino confido” (Psalm 10), for soli, chorus, and orchestra
2. Salmo undecimo “Salvum me fac Domine” (Psalm 11), for two altos, chorus and continuo
3. Salmo trigesimosesto “Moli aemulari in malignantibus” (Psalm 36), for soli, chorus and continuo

Monteverdi: Madrigali I

1. Lamento della ninfa, SV 163 (Book VIII, Canti amorosi)
2. Ohimè ch'io cado, SV 316
3. Si ch'io vorrei morire, SV 89 (Book IV)
4. Bei pastor, SV 168 (Book IX)
5. Eccomi pronta ai baci, SV 135 (Book VII)
6. Ecco mormorar l'onde, SV 51 (Book II)
7. Hor che'l ciel e la terra, SV 147 (Book VIII, Canti guerrieri)
8. La mia turca, SV 310
9. Perchè fuggi tra salci, SV 128 (Book VII)
10. Presso un fiume tranquillo, SV 116 (Book VI)

Monteverdi: Madrigali II

1. Si dolce è il tormento, SV 332
2. Sfogava con le stelle, SV 78 (Book IV)
3. Di far sempre gioire, SV 89 (Book IV)
4. Maladetta sia l'aspetto, SV 246 (Scherzi musicali II)
5. Non è di gentil core, SV 118 (Book VII)
6. Io mi son giovinetta, SV 86 (Book IV)
7. Questi vaghi concenti, SV 106 (Book V)
8. Tirsi e Clori, SV 145 (Book VII)
9. Ardo e scoprir, SV 158 (Book VIII, Canti amorosi)
10. Vorei baciarti o Filli, SV 123 (Book VII)
11. Lasciatemi morire, from Lamento d'Arianna a 5, SV 107 (Book VI)

Bach: Piano Concertos BWV 1052, 1055 & 1056

1. Keyboard Concerto in D minor, BWV 1052: I. Allegro (von Maria João Pires, Orchestre de Chambre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
2. Keyboard Concerto in D minor, BWV 1052: II. Adagio (von Maria João Pires, Orchestre de Chambre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
3. Keyboard Concerto in D minor, BWV 1052: III. Allegro (von Maria João Pires, Orchestre de Chambre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
4. Keyboard Concerto in A major, BWV 1055: I. Allegro (von Maria João Pires, Orchestre de Chambre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
5. Keyboard Concerto in A major, BWV 1055: II. Larghetto (von Maria João Pires, Orchestre de Chambre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
6. Keyboard Concerto in A major, BWV 1055: III. Allegro ma non tanto (von Maria João Pires, Orchestre de Chambre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
7. Keyboard Concerto in F minor, BWV 1056: I. Allegro (von Maria João Pires, Orchestre de Chambre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
8. Keyboard Concerto in F minor, BWV 1056: II. Largo (von Maria João Pires, Orchestre de Chambre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
9. Keyboard Concerto in F minor, BWV 1056: III. Presto (von Maria João Pires, Orchestre de Chambre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)

Vivaldi: Sacred Music I

1. Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: I. Gloria in excelsis Deo (chorus)
2. Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: II. Et in terra pax (chorus)
3. Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: III. Laudamus te (2 sopranos)
4. Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: IV. Gratias agimus tibi (chorus)
5. Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: V. Procter magnam gloriam (chorus)
6. Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: VI. Domine Deus (soprano)
7. Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: VII. Domine Fili unigenite (chorus)
8. Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: VIII. Domine Deus, Agnus Dei (alto, chorus)
9. Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: IX. Qui tollis peccata mundi (chorus)
10. Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: X. Qui sedes ad dexteram Patris (alto)
11. Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: XI. Quoniam tu solus sanctus (chorus)
12. Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: XII. Cum Sancto Spiritu (chorus)
13. Kyrie in G minor, RV 587, for 2 sopranos, 2 altos, double chorus and double string orchestra: I. Kyrie eleison (double chorus)
14. Kyrie in G minor, RV 587, for 2 sopranos, 2 altos, double chorus and double string orchestra: II. Christe eleison (2 sopranos, 2 altos)
15. Kyrie in G minor, RV 587, for 2 sopranos, 2 altos, double chorus and double string orchestra: III. Kyrie eleison (double chorus)
16. Credo in E minor, RV 591, for chorus and string orchestra: I. Credo in unum Deum
17. Credo in E minor, RV 591, for chorus and string orchestra: II. Et in terra pax (chorus)
18. Credo in E minor, RV 591, for chorus and string orchestra: III. Laudamus te (2 sopranos)
19. Credo in E minor, RV 591, for chorus and string orchestra: IV. Gratias agimus tibi (chorus)

Monteverdi: Madrigali III-V (I)

1. Altri canti d'amore, SV 146 (Book VIII, Canti guerrieri)
2. Io son pur vezzosetta pastorella, SV 121 (Book VII)
3. Gira il nemico insidioso amore, SV 148 (Book VIII, Canti guerrieri)
4. Qual si può, SV 1 (Canzonette)
5. Tempro la cetra, SV 117 (Book VII)
6. Soave libertate, SV 130 (Book VII)
7. Su, su, su, pastorelli vezzosi, SV 166 (Book VII, Canti amorosi)
8. La fiera vista, SV 3 (Canzonette)
9. O come sei gentile, SV 120 (Book VII)
10. Ardo avvampo mi struggo, SV 152 (Book VII, Canti guerrieri)
11. Non giacinti o narcisi, SV 43 (Book II)
12. Tornate, i cari baci, SV 129 (Book VII)
13. Zefiro torna, SV 108 (Book VI)
14. S'andasse amor a caccia, SV 49 (Book II)
15. Eri già tutta mia, SV 248 (Scherzi musicali II)
16. Quel sguardo sdegnosetto, SV 247 (Scherzi musicali II)

Monteverdi: Madrigali III-V (II)

1. Sestina: Lagrime d'amante al sepolcro dell amata, SV 111 (Book VI): Incenerite spoglie, avara tomba
2. Sestina: Lagrime d'amante al sepolcro dell amata, SV 111 (Book VI): Ditelo, o fiume e voi ch'udiste
3. Sestina: Lagrime d'amante al sepolcro dell amata, SV 111 (Book VI): Darà la notte il sol
4. Sestina: Lagrime d'amante al sepolcro dell amata, SV 111 (Book VI): Ma te raccoglie, o ninfa
5. Sestina: Lagrime d'amante al sepolcro dell amata, SV 111 (Book VI): O chiome d'or, neve gentil de seno
6. Sestina: Lagrime d'amante al sepolcro dell amata, SV 111 (Book VI): Dunque amate reliquie
7. Ninfa che scalza il piede, SV 160 (Book VIII, Canti amorosi): Ninfa che scalza il piede
8. Ninfa che scalza il piede, SV 160 (Book VIII, Canti amorosi): Qui deh meco t'arresta
9. Ninfa che scalza il piede, SV 160 (Book VIII, Canti amorosi): Dell'usate mie corde
10. Dolcissimo uscignolo, SV 161 (Book VIII, Canti amorosi)
11. Interrotte sepranze, SV 132 (Book VII)
12. Non sono in queste rive, SV 45 (Book II)
13. O viva fiamma, SV 122 (Book VII)
14. Alcun non mi consigli, SV 169 (Book IX)
15. Al lume delle stelle, SV 138 (Book VII)
16. Ohimè dovè il mio ben (Romanesca), SV 140 (Book VII)
17. S'el vostro cor madonna, SV 131 (Book VII)
18. Raggi dov'è il mio bene?, SV 4 (Canzonette)
19. Il mio martir, SV 6 (Canzonette)
20. Son questi i crespi crini, SV 7 (Canzonette)

J.C. Bach: Fortepiano Concertos

1. Keyboard Concerto in C major, op. 7 no. 1: I. Allegretto
2. Keyboard Concerto in C major, op. 7 no. 1: II. Menuetto
3. Keyboard Concerto in F major, op. 7 no. 2: I. (Allegro)
4. Keyboard Concerto in F major, op. 7 no. 2: II. Tempo di menuetto
5. Keyboard Concerto in B-flat major, op. 7 no. 4: I. Allegro giusto
6. Keyboard Concerto in B-flat major, op. 7 no. 4: II. Allegro di molto
7. Keyboard Concerto in D major, op. 7 no. 3: I. Allegro con spirito
8. Keyboard Concerto in D major, op. 7 no. 3: II. Rondo: Allegretto

Vivaldi: Sacred Music II

1. Beatus vir, RV 597, for soli, double chorus and orchestra: I. Beatus vir (chorus)
2. Beatus vir, RV 597, for soli, double chorus and orchestra: II. Potens in terra (bass)
3. Beatus vir, RV 597, for soli, double chorus and orchestra: III. Gloria e divitiae (2 sopranos)
4. Beatus vir, RV 597, for soli, double chorus and orchestra: IV. Exortum est (chorus)
5. Beatus vir, RV 597, for soli, double chorus and orchestra: V. Jucundus homo (soprano)
6. Beatus vir, RV 597, for soli, double chorus and orchestra: VI. In memoria aeterna (chorus)
7. Beatus vir, RV 597, for soli, double chorus and orchestra: VII. Paratum coe ejus (chorus)
8. Beatus vir, RV 597, for soli, double chorus and orchestra: VIII. Peccator videbit (bass)
9. Beatus vir, RV 597, for soli, double chorus and orchestra: IX. Gloria Patri (chorus)
10. Nulla in mundo pax sincera, RV 630, motet for soprano, string orchestra and continuo: I. Nulla in mundo pax sincera
11. Nulla in mundo pax sincera, RV 630, motet for soprano, string orchestra and continuo: II. Recitativo: Blanco colore oculos mundus decepit
12. Nulla in mundo pax sincera, RV 630, motet for soprano, string orchestra and continuo: III. Spirat anguis
13. Nulla in mundo pax sincera, RV 630, motet for soprano, string orchestra and continuo: IV. Alleluia
14. Lauda Jerusalem, RV 609 , for 2 sopranos, double chorus and orchestra

Vivaldi: Sacred Music III

1. Magnificat, RV 610, for 2 sopranos, alto, tenor, double chorus, orchestra and continuo: I. Magnificat (chorus)
2. Magnificat, RV 610, for 2 sopranos, alto, tenor, double chorus, orchestra and continuo: II. Et exultavit (soprano, alto, tenor, chorus)
3. Magnificat, RV 610, for 2 sopranos, alto, tenor, double chorus, orchestra and continuo: III. Et misericordia (chorus)
4. Magnificat, RV 610, for 2 sopranos, alto, tenor, double chorus, orchestra and continuo: IV. Fecit potentiam (chorus)
5. Magnificat, RV 610, for 2 sopranos, alto, tenor, double chorus, orchestra and continuo: V. Deposuit potentes (chorus)
6. Magnificat, RV 610, for 2 sopranos, alto, tenor, double chorus, orchestra and continuo: VI. Esurientes (2 sopranos)
7. Magnificat, RV 610, for 2 sopranos, alto, tenor, double chorus, orchestra and continuo: VII. Suscepit Israel (chorus)
8. Magnificat, RV 610, for 2 sopranos, alto, tenor, double chorus, orchestra and continuo: VIII. Sicut locutus est (chorus)
9. Magnificat, RV 610, for 2 sopranos, alto, tenor, double chorus, orchestra and continuo: IX. Gloria … Qui tollis (chorus)
10. Canta in prato, RV 623, motet for soprano, string orchestra and continuo: I. Canta in prato
11. Canta in prato, RV 623, motet for soprano, string orchestra and continuo: II. Recitativo: Saeva fulgescit nobis
12. Canta in prato, RV 623, motet for soprano, string orchestra and continuo: III. Avenae rusticae
13. Canta in prato, RV 623, motet for soprano, string orchestra and continuo: IV. Alleluia
14. In furore iustissimae irae, RV 626, motet for soprano, string orchestra and continuo: I. In furore
15. In furore iustissimae irae, RV 626, motet for soprano, string orchestra and continuo: II. Recitativo: Miserationum Pater piissime
16. In furore iustissimae irae, RV 626, motet for soprano, string orchestra and continuo: III. Tunc meus fletus evadet laetus
17. In furore iustissimae irae, RV 626, motet for soprano, string orchestra and continuo: IV. Alleluia
18. Beatus vir, RV 598, for 2 sopranos, chorus, string orchestra and continuo

Vivaldi: Sacred Music IV

1. Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: I. Dixit Dominus (chorus)
2. Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: II. Donec ponam inimicos tuos (chorus)
3. Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: III. Virgam virtutis tuae (soprano)
4. Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: IV. Tecum principium (soprano, alto)
5. Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: V. Juravit Dominus (chorus)
6. Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: VI. Dominus e dextris tuis (soprano)
7. Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: VII. Judicabit (alto, chorus)
8. Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: VIII. De torrente (alto)
9. Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: IX. Gloria Patri / X. Sicut erat in principio (alto, tenor, bass, chorus)
10. Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: XI. Et in saecula saeculorum
11. O qui coeli terraeque serenitas, RV 631, motet for soprano and string orchestra: I. O qui caeli
12. O qui coeli terraeque serenitas, RV 631, motet for soprano and string orchestra: II. Recitativo: Fac ut sordescat tellus
13. O qui coeli terraeque serenitas, RV 631, motet for soprano and string orchestra: III. Rosa quae moritur
14. O qui coeli terraeque serenitas, RV 631, motet for soprano and string orchestra: IV. Alleluia

Charpentier: Te Deum / Beatus vir / Tenebrae factae sunt / Nuit / Seniores populi

1. Te Deum, H. 146, for soli, chorus, and orchestra: I. Prélude: Rondeau (von Bernard Gabel, Antoine Sibertin-Blanc, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
2. Te Deum, H. 146, for soli, chorus, and orchestra: II. Te Deum laudamus (bass) (von José de Oliveira Lopes, Bernard Gabel, Antoine Sibertin-Blanc, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
3. Te Deum, H. 146, for soli, chorus, and orchestra: III. Te aeternum Patrem (soprano I/II, altus, tenor, chorus)
4. Te Deum, H. 146, for soli, chorus, and orchestra: IV. Te per orbem terrarum (altus, tenor, bass)
5. Te Deum, H. 146, for soli, chorus, and orchestra: V. Tu devicto mortis aculeo (bass, chorus)
6. Te Deum, H. 146, for soli, chorus, and orchestra: VI. Te ergo quaesumus (soprano I)
7. Te Deum, H. 146, for soli, chorus, and orchestra: VII. Aeterna fac cum sanctus tuis (soprano II, altus, tenor, bass, chorus)
8. Te Deum, H. 146, for soli, chorus, and orchestra: VIII. Dignare, Domine, die isto (soprano I/II, bass)
9. Te Deum, H. 146, for soli, chorus, and orchestra: IX. Fiat misericordia tua, Domine, super nos (soprano I, bass)
10. Te Deum, H. 146, for soli, chorus, and orchestra: X. In te, Domine, speravi (altus, tenor, bass, chorus)
11. Salve Regina, H. 24, for 3 chorus and orchestra (von Bernard Gabel, Antoine Sibertin-Blanc, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
12. Tenebrae factae sunt, H. 129, for bass and orchestra (von José de Oliveira Lopes, Bernard Gabel, Antoine Sibertin-Blanc, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
13. In nativitatem Domini canticum, H. 416: III. Nuit (Orchestral interlude) (von Bernard Gabel, Antoine Sibertin-Blanc, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
14. Seniores populi, H. 117, for altus and orchestra

Vivaldi: Sacred Music V

1. Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: I. Dixit Dominus (chorus)
2. Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: II. Donec ponam inimicos tuos (chorus)
3. Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: III. Virgam virtutis tuae (sopranos)
4. Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: IV. Tecum principium (alto)
5. Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: V. Juravit Dominus (chorus)
6. Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: VI. Dominus a dextris tuis (tenor, bass)
7. Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: VII. Judicabit in nationibus (chorus)
8. Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: VIII. De torrente (soprano, chorus)
9. Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: IX. Gloria Patri (chorus)
10. Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: X. Sicut erat in principio (chorus)
11. Stabat Mater, RV 621, for alto and string orchestra: I. Stabat Mater dolorosa
12. Stabat Mater, RV 621, for alto and string orchestra: II. Cujus animam gementem
13. Stabat Mater, RV 621, for alto and string orchestra: III. O quam tristis
14. Stabat Mater, RV 621, for alto and string orchestra: IV. Quis est homo
15. Stabat Mater, RV 621, for alto and string orchestra: V. Quis non posset
16. Stabat Mater, RV 621, for alto and string orchestra: VI. Pro peccatis
17. Stabat Mater, RV 621, for alto and string orchestra: VII. Eja Mater
18. Stabat Mater, RV 621, for alto and string orchestra: VIII. Fac ut ardeat
19. Stabat Mater, RV 621, for alto and string orchestra: IX. Amen

Bach: Cantatas I

1. “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. I. Chorus: “Lass, Fürstin, lass noch einen Strahl”
2. “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. II. Recitative (soprano): “Dein Sachsen, dein bestürzes Meissen”
3. “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. III. Aria (soprano): “Verstummt, verstummt, ihr holden Saiten!”
4. “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. IV. Recitative (alto): “Der Glocken bebendes Getön”
5. “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. V. Aria (alto): “Wie starb die Heldin so vergnügt!”
6. “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. VI. Recitative (tenor): “Ihr Leben liess die Kunst zu Sterben”
7. “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. VII. Chorus: “An Dir, du Fürbild grosser Frauen”
8. “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part II. VIII. Aria (tenor): “Der Ewigkeit saphirnes Haus”
9. “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part II. IX. Recitative - Arioso - Recitative (bass): “Was Wunder ist's?”
10. “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part II. X. Chorus: “Doch, Königin! du stirbest nicht”
11. “Ach Gott, wie manches Herzeleid”, BWV 58: Choral & Aria (soprano, bass): “Ach Gott, wie manches Herzeleid”
12. “Ach Gott, wie manches Herzeleid”, BWV 58: Recitative (bass): “Verfolgt dich gleich die arge Welt”
13. “Ach Gott, wie manches Herzeleid”, BWV 58: Aria (soprano): “Ich bin vergnügt in meinem Leiden”
14. “Ach Gott, wie manches Herzeleid”, BWV 58: Recitative (soprano): “Kann es die Welt nicht lassen”
15. “Ach Gott, wie manches Herzeleid”, BWV 58: Aria & Chorale (soprano, bass): “Ich hab' vor mir ein' schwere Reis”

Bach: Cantatas II

1. “Jesu, der du meine Seele”, BWV 78: I. Chorus: “Jesu, der du meine Seele”
2. “Jesu, der du meine Seele”, BWV 78: II. Aria duetto (soprano, alto): “Wir eilen mit schwachen, doch emsigen Schritten”
3. “Jesu, der du meine Seele”, BWV 78: III. Recitative (tenor): “Ach! Ich bin eine Kind der Sünden”
4. “Jesu, der du meine Seele”, BWV 78: IV. Aria (tenor): “Das Blut, so meine Schuld durchstreicht”
5. “Jesu, der du meine Seele”, BWV 78: V. Recitative (bass): “Die Wunden, Nägen, Kron und Grab”
6. “Jesu, der du meine Seele”, BWV 78: VI. Aria (bass): “Nun du wirst mein Gewissen stillen”
7. “Jesu, der du meine Seele”, BWV 78: VII. Chorale: “Herr, ich glaube, hilf mir Schwachen”
8. “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. I. Chorus: “Lobet Gott in seinen Reichen”
9. “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. II. Recitative (tenor): “Der Herr Jesus hub seine Hände auf”
10. “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. III. Recitative (bass): “Ach, Jesu, ist dein Abschied schon so nah?”
11. “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. IV. Aria (alto): “Ach, bleibe doch, Mein liebstes Leben”
12. “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. V. Recitative (tenor): “Und ward aufgehoben zusehends”
13. “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. VI. Chorale: “Nun lieget alles unter dir”
14. “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part II. VIIa. Recitative (tenor, bass): “Und da sie ihm nachsahen gen Himmel fahren”
15. “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part II. VIIb. Recitative (alto): “Ach ja! So komme bald zurück”
16. “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part II. VIIc. Recitative (tenor): “Sie aber beteten ihn an”
17. “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part II. VIII. Aria (soprano): “Jesu, deine Gnadenblicke”
18. “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part II. IX. Chorale: “Wenn soll es doch geschehen”

Bach: Johannes-Passion, BWV 245 (beginning)

1. Johannes-Passion, BWV 245: No. 1. Chorus. “Herr, unser Herrscher” (chorus)
2. Johannes-Passion, BWV 245: No. 2a. Recitative. “Jesus ging mit seinen Jüngern” (Evangelist, Jesus)
3. Johannes-Passion, BWV 245: No. 2b. Chorus. “Jesum von Nazareth” (chorus)
4. Johannes-Passion, BWV 245: No. 2c. Recitative. “Jesus spricht zu ihnen” (Evangelist, Jesus)
5. Johannes-Passion, BWV 245: No. 2d. Chorus. “Jesus von Nazareth” (chorus)
6. Johannes-Passion, BWV 245: No. 2e. Recitative. “Jesus antwortete” (Evangelist, Jesus)
7. Johannes-Passion, BWV 245: No. 3. Chorale. “O große Lieb” (chorus)
8. Johannes-Passion, BWV 245: No. 4. Recitative. “Auf daß das Wort erfüllet würde” (Evangelist, Jesus)
9. Johannes-Passion, BWV 245: No. 5. Chorale. “Dein Will' gescheh” (chorus)
10. Johannes-Passion, BWV 245: No. 6. Recitative. “Die Schar aber und der Oberhauptmann” (Evangelist)
11. Johannes-Passion, BWV 245: No. 7. Aria. “Von den Stricken” (alto, 2 oboes and continuo)
12. Johannes-Passion, BWV 245: No. 8. Recitative. “Simon Petrus aber folgete Jesu nach” (Evangelist)
13. Johannes-Passion, BWV 245: No. 9. Aria. “Ich folge dir gleichfalls” (soprano, flute)
14. Johannes-Passion, BWV 245: No. 10. Recitative. “Derselbige Jünger war dem Hohenpriester bekannt” (Evangelist, Petrus, Jesus)
15. Johannes-Passion, BWV 245: No. 11. Chorale. “Wer hat dich so geschlagen” (chorus)
16. Johannes-Passion, BWV 245: No. 12a. Recitative. “Und Hannas sandte ihn gebunden” (Evangelist)
17. Johannes-Passion, BWV 245: No. 12b. Chorus. “Bist du nicht seiner Jünger einer” (chorus)
18. Johannes-Passion, BWV 245: No. 12c. Recitative. “Er leugnete aber und sprach” (Evangelist, Petrus)
19. Johannes-Passion, BWV 245: No. 13. Aria. “Ach, mein Sinn” (tenor)
20. Johannes-Passion, BWV 245: No. 14. Chorale. “Petrus, der nicht denkt zurück” (chorus)
21. Johannes-Passion, BWV 245: No. 15. Chorale. “Christus, der uns selig macht” (chorus)
22. Johannes-Passion, BWV 245: No. 16a. Recitative. “Da führeten sie Jesum” (Evangelist, Pilatus)
23. Johannes-Passion, BWV 245: No. 16b. Chorus. “Wäre dieser nicht ein Übeltäter” (chorus)
24. Johannes-Passion, BWV 245: No. 16c. Recitative. “Da sprach Pilatus zu ihnen” (Evangelist, Pilatus)
25. Johannes-Passion, BWV 245: No. 16d. Chorus. “Wir dürfen niemand töten” (chorus)
26. Johannes-Passion, BWV 245: No. 16e. Recitative. “Auf daß erfüllet würde das Wort” (Evangelist, Pilatus, Jesus)
27. Johannes-Passion, BWV 245: No. 17. Chorale. “Ach großer König” (chorus)
28. Johannes-Passion, BWV 245: No. 18a. Recitative. “Da sprach Pilatus zu ihm” (Evangelist, Pilatus, Jesus)
29. Johannes-Passion, BWV 245: No. 18b. Chorus. “Nicht diesen, sondern Barrabam” (chorus)
30. Johannes-Passion, BWV 245: No. 18c. Recitative. “Barrabas aber war ein Mörder” (Evangelist)
31. Johannes-Passion, BWV 245: No. 19. Arioso. “Betrachte, meine Seel', mit ängstlichem Vergnügen” (bass, 2 viole d'amore, lute)
32. Johannes-Passion, BWV 245: No. 20. Aria. “Erwäge, wie sien blutgefärbter Rücken” (tenor, 2 viole d'amore)

Bach: Johannes-Passion, BWV 245 (conclusion)

1. Johannes-Passion, BWV 245: No. 21a. Recitative. “Und die Kriegsknechte flochten eine Krone” (Evangelist)
2. Johannes-Passion, BWV 245: No. 21b. Chorus. “Sei gegrüsset, lieber Judenkönig” (chorus)
3. Johannes-Passion, BWV 245: No. 21c. Recitative. “Und gaben ihm Backenstreiche” (Evangelist, Pilatus)
4. Johannes-Passion, BWV 245: No. 21d. Chorus. “Kreuzige, Kreuzige” (chorus)
5. Johannes-Passion, BWV 245: No. 21e. Recitative. “Pilatus sprach zu ihnen” (Evangelist, Pilatus)
6. Johannes-Passion, BWV 245: No. 21f. Chorus. “Wir haben ein Gesetz” (chorus)
7. Johannes-Passion, BWV 245: No. 21g. Recitative: “Da Pilatus das Wort hörete” (Evangelist, Pilatus, Jesus)
8. Johannes-Passion, BWV 245: No. 22. Chorale. “Durch dein Gefängnis, Gottes Sohn” (chorus)
9. Johannes-Passion, BWV 245: No. 23a. Recitative. “Die Juden aber schrieen” (Evangelist)
10. Johannes-Passion, BWV 245: No. 23b. Chorus. “Lässest du diesen los” (chorus)
11. Johannes-Passion, BWV 245: No. 23c. Recitative. “Da Pilatus das Wort hörete” (Evangelist, Pilatus)
12. Johannes-Passion, BWV 245: No. 23d. Chorus. “Weg, weg mit dem, Kreuzige ihn!” (chorus)
13. Johannes-Passion, BWV 245: No. 23e. Recitative. “Spricht Pilatus zu ihnen” (Evangelist, Pilatus)
14. Johannes-Passion, BWV 245: No. 23f. Chorus. “Wir haben keiner König denn den Kaiser” (chorus)
15. Johannes-Passion, BWV 245: No. 23g. Recitative. “Da überantworte er ihn” (Evangelist)
16. Johannes-Passion, BWV 245: No. 24. Aria & Chorus. “Eilt, ihr angefocht'nen Seelen” (bass, chorus)
17. Johannes-Passion, BWV 245: No. 25a. Recitative. “Allda kreuzigten sie ihn” (Evangelist)
18. Johannes-Passion, BWV 245: No. 25b. Chorus. “Schreibe nicht” (chorus)
19. Johannes-Passion, BWV 245: No. 25c. Recitative. “Pilatus antwortet” (Evangelist, Pilatus)
20. Johannes-Passion, BWV 245: No. 26. Chorale. “In meines Herzens Grune” (chorus)
21. Johannes-Passion, BWV 245: No. 27a. Recitative. “Die Kriegsknechte aber” (Evangelist)
22. Johannes-Passion, BWV 245: No. 27b. Chorus. “Lasset uns den nicht zerteilen” (chorus)
23. Johannes-Passion, BWV 245: No. 27c. Recitative. “Auf daß erfüllet würde die Schrift” (Evangelist, Jesus)
24. Johannes-Passion, BWV 245: No. 28. Chorale. “Er nahm alles wohl in acht” (chorus)
25. Johannes-Passion, BWV 245: No. 29. Recitative. “Und von Stund an nahm sie der Jünger” (Evangelist, Jesus)
26. Johannes-Passion, BWV 245: No. 30. Aria. “Es ist vollbracht” (alto, viola da gamba)
27. Johannes-Passion, BWV 245: No. 31. Recitative. “Und neigt das Haupt und verschied” (Evangelist)
28. Johannes-Passion, BWV 245: No. 32. Aria & Chorus. “Mein teurer Heiland” (bass, chorus)
29. Johannes-Passion, BWV 245: No. 33. Recitative. “Und siehe da, der Vorhang im Tempel zerriß” (Evangelist)
30. Johannes-Passion, BWV 245: No. 34. Arioso. “Mein Herz, in dem die ganze Welt” (tenor, flute, 2 oboes)
31. Johannes-Passion, BWV 245: No. 35. Aria. “Zerfließe, mein Herze” (soprano, flute, cor anglais)
32. Johannes-Passion, BWV 245: No. 36. Recitative. “Die Juden aber dieweil es der Rüsttag war” (Evangelist)
33. Johannes-Passion, BWV 245: No. 37. Chorale. “O hilf, Christe, Gottes Sohn” (chorus)
34. Johannes-Passion, BWV 245: No. 38. Recitative. “Darnach bat Pilatum Joseph von Arimathia” (Evangelist)
35. Johannes-Passion, BWV 245: No. 39. Chorus. “Ruht wohl, ihr heiligen Gebeine” (chorus)
36. Johannes-Passion, BWV 245: No. 40. Chorale. “Ach Herr, laß dein lieb Engelein” (chorus)

Vivaldi: Sacred Music VI

1. Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: I. Gloria in excelsis (chorus)
2. Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: II. Et in terra pax (chorus)
3. Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: III. Laudamus te (2 sopranos)
4. Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: IV. Gratias agimus tibi (chorus)
5. Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: V. Domine Deus (tenor)
6. Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: VI. Domine Fili unigenite (chorus)
7. Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: VII. Domine Deus, Agnus Dei (soprano)
8. Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: VIII. Qui tollis peccata mundi (chorus)
9. Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: IX. Qui sedes ad dexteram Patris (alto)
10. Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: X. Quoniam tu solus sanctus (soprano)
11. Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: XI. Cum Sancto Spriritu (chorus)
12. Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: I. Nisi Dominus
13. Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: II. Vanum est vobis
14. Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: III. Surgite
15. Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: IV. Cum dederit
16. Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: V. Sicut saggitae
17. Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: VI. Beatus vir
18. Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: VII. Gloria Patri
19. Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: VIII. Sicut erat in principio
20. Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: IX. Amen

Charpentier: Le jugement dernier / Beatus vir

1. Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: I. Récit de Dieu: “Audit coeli quae loquor” (bass) (von Philippe Huttenlocher, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
2. Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: II. Chorus hominum: “O pavor, o tremor, o portentum” (soli, chorus)
3. Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: III. Bruit de trompettes (von Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
4. Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: IV. Duo des Anges: “Adeste omnes gentes” (countertenor, alto)
5. Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: V. Bruit de trompettes (von Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
6. Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: VI. Chorus hominum: “Et factus est subito sonus” (chorus)
7. Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: VII. Récit de Dieu (Part I): “Venite benedicti” (bass) (von Philippe Huttenlocher, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
8. Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: VIII. Récit de Dieu (Part II): “Et vos maledicti” (bass) (von Philippe Huttenlocher, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
9. Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: IX. Chœur des damnés: “O justa punitio” (soli, chorus)
10. Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: X. Les Anges: “Vos autem electi” (countertenor, alto)
11. Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: XI. Chœur des élus: “Hymnum docamus Domine nostro” (soli, chorus)
12. Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: I. instrumental prelude (von Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
13. Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: II. Beatus vir (bass) (von Philippe Huttenlocher, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
14. Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: III. Potens in terra (chorus)
15. Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: IV. Exortum est in tenebris (soprano I, countertenor, tenor, bass)
16. Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: V. In memoria aeterna (chorus)
17. Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: VI. Dispersit, dedit pauperibus (bass) (von Philippe Huttenlocher, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
18. Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: VII. Peccator videbit (chorus)
19. Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: VIII. Gloria Patri (2 sopranos, chorus)

Monteverdi: Magrigali VI-VIII (I)

1. Combattimento di Tancredi e Clorina, SV 153 (Book VIII, Canti guerrieri): Tancredi, que Clorinda homo stima
2. Combattimento di Tancredi e Clorina, SV 153 (Book VIII, Canti guerrieri): Notte, che nei profondo oscuro seno
3. Combattimento di Tancredi e Clorina, SV 153 (Book VIII, Canti guerrieri): Torna l'ira nei cori
4. Combattimento di Tancredi e Clorina, SV 153 (Book VIII, Canti guerrieri): Amico, hai vinto
5. Chiome d'oro, bel tesoro, SV 143 (Book VII)
6. Altri canti di Marte, SV 155 (Book VIII, Canti amorosi): Altri canti di Marte e di sua schiera (Part I)
7. Altri canti di Marte, SV 155 (Book VIII, Canti amorosi): Due belli occhi (Part II)
8. Et è pur dunque verò, SV 250 (Scherzi musicali II)
9. Batto qui pianse Ergasto, SV 115 (Book VI)
10. Amorosa pupiletta, SV 238 (Scherzi musicali II)
11. Lamento d'Arianna, SV 22
12. Vago augelleto, SV 156 (Book VIII, Canti amorosi)
13. Ecco di dolci raggi, SV 249 (Scherzi musicali II)
14. Io che armato sin hor, SV 249a (Scherzi musicali II)
15. Fugge il verno dei dolori, SV 232 (Scherzi musicali I)
16. A dio Florida bella, SV 110 (Book VI)
17. Misero alceo, SV 114 (Book VI)

Monteverdi: Madrigali VI-VIII (II)

1. Il ballo (per l'imperatore Ferdinando), SV 154 (Book VIII, Canti guerrieri)
2. Miei lettera amorosa (Se i languidi), SV 141 (Book VII)
3. Lidia spina del mio core, SV 244 (Scherzi musicali I)
4. Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Sinfonia
5. Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): De l'implacabil Dio
6. Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Bella madre d'amor
7. Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): S'invan su l'arco tendi
8. Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Udite, udite
9. Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Ecco ver noi l'adolorate squadre
10. Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Entrata - Ballo
11. Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Dal tenebroso orror del mio gran regno
12. Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Ahi troppo è duro
13. Partenza amorosa (Se pur destina e vole), SV 142 (Book VII)
14. Dolci miei sospiri, SV 242 (Scherzi musicali I)
15. Damigella tutta bella, SV 235 (Scherzi musicali I)

Bach: Mass in B minor, BWV 232 (beginning)

1. Mass in B minor, BWV 232: Kyrie. I. Kyrie eleison I (chorus)
2. Mass in B minor, BWV 232: Kyrie. II. Christe eleison (soprano II, mezzo-soprano)
3. Mass in B minor, BWV 232: Kyrie. III. Kyrie eleison II (chorus)
4. Mass in B minor, BWV 232: Gloria. IV. Gloria in excelsis / V. Et in terra pax (chorus)
5. Mass in B minor, BWV 232: Gloria. VI. Laudamus te (soprano I)
6. Mass in B minor, BWV 232: Gloria. VII. Gratias agimus tibi (chorus)
7. Mass in B minor, BWV 232: Gloria. VIII. Domine Deus (soprano I, tenor)
8. Mass in B minor, BWV 232: Gloria. IX. Qui tollis peccata mundi (chorus)
9. Mass in B minor, BWV 232: Gloria. X. Qui sedes ad dexteram Patris (mezzo-soprano)
10. Mass in B minor, BWV 232: Gloria. XI. Quoniam tu solus sanctus (bass)
11. Mass in B minor, BWV 232: Gloria. XII. Cum Sancto Spiritu (chorus)
12. Mass in B minor, BWV 232: Credo. XII. Credo in unum Deum (chorus)
13. Mass in B minor, BWV 232: Credo. XIII. Patrem omnipotentem (chorus)
14. Mass in B minor, BWV 232: Credo. XIV. Et in unum Dominum (soprano I, mezzo-soprano)
15. Mass in B minor, BWV 232: Credo. XV. Et incarnatus est (chorus)
16. Mass in B minor, BWV 232: Credo. XVI. Crucifixus (chorus)

Bach: Mass in B minor, BWV 232 (conclusion) / Magnificat

1. Mass in B minor, BWV 232: Credo. XVII. Et resurrexit (chorus)
2. Mass in B minor, BWV 232: Credo. XVIII. Et in Spiritum Sanctum Dominum (baritone)
3. Mass in B minor, BWV 232: Credo. XIX. Confiteor (chorus)
4. Mass in B minor, BWV 232: Credo. XX. Et expecto (chorus)
5. Mass in B minor, BWV 232: Sanctus. XXI. Sanctus (chorus)
6. Mass in B minor, BWV 232: Sanctus. XXII. Osanna in excelsis (chorus)
7. Mass in B minor, BWV 232: Sanctus. XXIII. Benedictus (tenor)
8. Mass in B minor, BWV 232: Sanctus. XXIV. Osanna repetirur (chorus)
9. Mass in B minor, BWV 232: Sanctus. XXV. Agnus Dei (mezzo-soprano)
10. Mass in B minor, BWV 232: Sanctus. XXVI. Dona nobis pacem (chorus)
11. Magnificat in D major, BWV 243: I. Magnificat (chorus)
12. Magnificat in D major, BWV 243: II. Et exultavit spiritus meus (soprano II)
13. Magnificat in D major, BWV 243: III. Quia respexit humilitatem (soprano I)
14. Magnificat in D major, BWV 243: IV. Omnes generationes (chorus)
15. Magnificat in D major, BWV 243: V. Quia fecit mihi magna (bass)
16. Magnificat in D major, BWV 243: VI. Et misericorida (alto, tenor)
17. Magnificat in D major, BWV 243: VII. Fecit potentiam (chorus)
18. Magnificat in D major, BWV 243: VIII. Deposuit potentes (tenor)
19. Magnificat in D major, BWV 243: IX. Esurientes implevit bonis (alto)
20. Magnificat in D major, BWV 243: X. Suscepit Israel (soprano I & II, alto)
21. Magnificat in D major, BWV 243: XI. Sicut locutus est (chorus)
22. Magnificat in D major, BWV 243: XII. Gloria Patri (chorus)

Cavalli: Ercole amante (beginning)

1. Ercole amante: Prologo. Sinfonia
2. Ercole amante: Prologo. “Qual concorso indonivo” (Coro di Fiumi)
3. Ercole amante: Prologo. “Ah ! che mentre la terra” (Il Tevere)
4. Ercole amante: Prologo. “Ai di lei veri accenti” (Coro di Fiumi)
5. Ercole amante: Prologo. Sinfonia
6. Ercole amante: Prologo. “Ed ecco, o Gallia invita” (Cinthia)
7. Ercole amante: Prologo. “Doppo belliche noie” (Coro di Fiumi)
8. Ercole amante: Prologo. “E poiche quai doppo guerrieri onori” (Cinthia)
9. Ercole amante: Prologo. “E veda ogn'un” (Coro di Fiumi)
10. Ercole amante: Prologo. “O Gallia fortunata” (Coro di Fiumi)
11. Ercole amante: Atto I. Sinfonia
12. Ercole amante: Atto I, Scene 1. “Come si beffa amor” (Ercole)
13. Ercole amante: Atto I, Scene 2. “Se Ninfa ai pianti” (Venere, le tre grazie)
14. Ercole amante: Atto I, Scene 2. “Ogn'impero ha ribelli” (Venere)
15. Ercole amante: Atto I, Scene 2. “Fugano a vo” (Ercole, Venere, le tre grazie)
16. Ercole amante: Atto I, Scene 2. “Infelice e disperato” (Giunone)
17. Ercole amante: Atto I, Scene 3. “E vuol dunque Ciprigna” (Giunone)
18. Ercole amante: Atto II. Sinfonia
19. Ercole amante: Atto II, Scene 1. “Amor ardo piu rari” (Hyllo, Jole)
20. Ercole amante: Atto II, Scene 1. “Pure alfine il rispetto di figlio” (Hole, Hyllo, Il Paggio)
21. Ercole amante: Atto II, Scene 2. “D'amore il foco” (Jole, Hyllo)
22. Ercole amante: Atto II, Scene 3. “E che cos' è quest'Amore” (Il Paggio)
23. Ercole amante: Atto II, Scene 4. “Buon di, gentil fanciullo” (Licco, il Paggio)
24. Ercole amante: Atto II, Scene 5. “Misera, ohime ch'ascolto” (Dejanira)
25. Ercole amante: Atto II, Scene 5. “Ah ! fu sempre in Amor” (Licco, Dejanira)
26. Ercole amante: Atto II, Scene 5. “Ah, Dejanira ! Dunque tu temi” (Dejanira, Licco)
27. Ercole amante: Atto II, Scene 6. “Mormorate, fiumicelli” (Pasitea)
28. Ercole amante: Atto II, Scene 6. Coro
29. Ercole amante: Atto II, Scene 7. “Sublime Dea” (Pasitea)
30. Ercole amante: Atto II, Scene 7. “Zelo dell' onor mio a cui” (Giunone, Pasitea)
31. Ercole amante: Atto II, Scene 7. “Le rugiade piu preziose” (Tutti)
32. Ercole amante: Atto II, Scene 7. “Vanne e fa breve dimora” (Pasitea, tutti)

Cavalli: Ercole amante (continuing)

1. Ercole amante: Atto III. Sinfonia
2. Ercole amante: Atto III, Scene 1. “Sol s'inarca gl'Emisferi per stupor” (Venere)
3. Ercole amante: Atto III, Scene 1. “E pe mi cangi o Dei” (Ercole, Venere)
4. Ercole amante: Atto III, Scene 2. “Amor, contar ben puoi” (Ercole)
5. Ercole amante: Atto III, Scene 2. “Sara com'hai disposo” (Il Paggio, Ercole)
6. Ercole amante: Atto III, Scene 3. “Bella Jole e quando” (Ercole, Jole)
7. Ercole amante: Atto III, Scene 3. “Ohime, che ascolto” (Hyllo, Ercole)
8. Ercole amante: Atto III, Scene 4. “A che pensi Jole” (Ercole, Jole)
9. Ercole amante: Atto III, Scene 5. “Sonno potente Nume” (Giunone)
10. Ercole amante: Atto III, Scene 5. “O qual sonno produgioso” (Jole, Giunone)
11. Ercole amante: Atto III, Scene 6. “D'Eutyro anima grande” (Jole, Hyllo)
12. Ercole amante: Atto III, Scene 7. “Svegliati, Alcide e mira” (Mercurio, Ercole, Jole)
13. Ercole amante: Atto III, Scene 8. “Piu di salvarlo tenti” (Ercole, Dejanira, Jole, Licco)
14. Ercole amante: Atto III, Scene 9. “Figlio, tu prigionero” (Dejanira, Hyllo)
15. Ercole amante: Atto III, Scene 10. “Addio paggio” (Licco, il Paggio)
16. Ercole amante: Atto IV. Sinfonia
17. Ercole amante: Atto IV, Scene 1. “Ahi che pena e gelosia” (Hyllo)
18. Ercole amante: Atto IV, Scene 2. “Zefri che gite” (Il Paggio)
19. Ercole amante: Atto IV, Scene 2. “Che novella m'arrechi” (Hyllo, Il Paggio)
20. Ercole amante: Atto IV, Scene 3. “E chi fia piu vieti” (Hyllo)
21. Ercole amante: Atto IV, Scene 4. “Salva, nettuno, ah! salva” (Giunone)
22. Ercole amante: Atto IV, Scene 4. “Eccoti o Dea contenta” (Nettuno, Hyllo, Giunone)
23. Ercole amante: Atto IV, Scene 5. “Congedo a gl'orridi” (Giunone)
24. Ercole amante: Atto IV, Scene 6. “Ed a che peggio” (Dejanira, Licco)
25. Ercole amante: Atto IV, Scene 6. “Ah Dejanira, io non son tanto accorto” (Licco)

Cavalli: Ercole amante (conclusion)

1. Ercole amante: Atto IV, Scene 7. “Gradisci, o Re” (Coro)
2. Ercole amante: Atto IV, Scene 7. “E se pur negl' estinti” (Jole)
3. Ercole amante: Atto IV, Scene 7. “Che prieghi ingiurioso” (Ombra d'Eutyro, Jole, Dejanira)
4. Ercole amante: Atto IV, Scene 7. “Hyllo il mio bene è morto” (Jole)
5. Ercole amante: Atto IV, Scene 7. “Ferma ti prego” (Liggo, Dejanira, Jole)
6. Ercole amante: Atto V. Sinfonia
7. Ercole amante: Atto V, Scene 1. “Come solo ad un grido” (Ombra d'Eutyro)
8. Ercole amante: Atto V, Scene 1. “Pera, mora il crudel” (Coro, Ombra di Clerica)
9. Ercole amante: Atto V, Scene 1. “Pera, mora, il perverso” (Laomedonte, Coro)
10. Ercole amante: Atto V, Scene 1. “Pera, more l'iniquio” (Ombra di Bussiride, Coro)
11. Ercole amante: Atto V, Scene 1. “Su su dunque” (Ombra d'Eutyro, Coro)
12. Ercole amante: Atto V, Scene 1. Sinfonia
13. Ercole amante: Atto V, Scene 2. “Alfine il Ciel d'amor” (Ercole, Licco, Jole)
14. Ercole amante: Atto V, Scene 2. “Pronuba e casta Dea” (Coro, Ercole, Jole)
15. Ercole amante: Atto V, Scene 2. “Ma qual pungente arsura” (Ercole)
16. Ercole amante: Atto V, Scene 2. “Che dici” (Licco, Jole)
17. Ercole amante: Atto V, Scene 3. “Ah, Nesso mi tradi” (Dejanira, Jole, Licco, Hyllo)
18. Ercole amante: Atto V, Scene 4. “Su, su allegrezza” (Giunone)
19. Ercole amante: Atto V, Scene 4. “Oh Dea come n'arrequi” (Jole, Dejanira, Hyllo, Licco, Giunone)
20. Ercole amante: Atto V, Scene 5. “Quel grande Eroe” (Coro)
21. Ercole amante: Atto V, Scene 5. “Così un giorno” (Belezza, Ercole)
22. Ercole amante: Atto V, Scene 5. “Virtu che soffre” (Coro)

Handel: Suites from Rodrigo & Il pastor fido

1. Muzio Scevola, opera in three acts, HWV 13: Overture
2. Rodrigo, opera in three acts, HWV 5: I. Overture
3. Rodrigo, opera in three acts, HWV 5: II. Gigue
4. Rodrigo, opera in three acts, HWV 5: III. Sarabande
5. Rodrigo, opera in three acts, HWV 5: IV. Matelot
6. Rodrigo, opera in three acts, HWV 5: V. Menuet
7. Rodrigo, opera in three acts, HWV 5: VI. Bourrée
8. Rodrigo, opera in three acts, HWV 5: VII. Menuet
9. Rodrigo, opera in three acts, HWV 5: VIII. Passacaille
10. Il pastor fido, opera in three acts, HWV 8: I. Overture
11. Il pastor fido, opera in three acts, HWV 8: II. Largo
12. Il pastor fido, opera in three acts, HWV 8: III. Allegro
13. Il pastor fido, opera in three acts, HWV 8: IV. Menuet
14. Il pastor fido, opera in three acts, HWV 8: V. Adagio
15. Il pastor fido, opera in three acts, HWV 8: VI. Allegro
16. Silla, opera in three acts, HWV 10: Overture

Charpentier: David et Jonathas, H. 490 (beginning)

1. David et Jonathas, opera in one prologue and five acts, H. 490: Prologue, Scene 1. “Où suis-je ? Qu'ai-je fait ?” (Saül)
2. David et Jonathas, opera in one prologue and five acts, H. 490: Prologue, Scene 2. “Dois-je enfin épouver le secours de vos charmes ?” (Saül, La Pythonisse)
3. David et Jonathas, opera in one prologue and five acts, H. 490: Prologue, Scene 3. “Retirez-vous affreux tonnerre” (La Pythonisse)
4. David et Jonathas, opera in one prologue and five acts, H. 490: Prologue, Scene 4. “Quelle importune voix vient troubler mon repos ?” (L'ombre de Samuel, Saül)
5. David et Jonathas, opera in one prologue and five acts, H. 490: Prologue, Scene 5. “Est-ce assez ? Ai-je enfin épuisé ta colère ?” (Saül, La Pythonisse)
6. David et Jonathas, opera in one prologue and five acts, H. 490: Acte 1, Scene 1. “Du plus grand des héros” (Un guerrier, Un du peuple, Bergers, Captifs, Chorus)
7. David et Jonathas, opera in one prologue and five acts, H. 490: Acte 1, Scene 2. “Allez, le ciel vous attend” (David)
8. David et Jonathas, opera in one prologue and five acts, H. 490: Acte 1, Scene 3. “Ciel ! Quel triste combat” (David)
9. David et Jonathas, opera in one prologue and five acts, H. 490: Acte 1, Scene 4. “Le ciel enfin favourable à mes vœux” (Achis, David, Captifs, Chorus)
10. David et Jonathas, opera in one prologue and five acts, H. 490: Acte 2, Scene 1. “Quel inutile soin” (Joabel, David, Chorus)
11. David et Jonathas, opera in one prologue and five acts, H. 490: Acte 2, Scene 2. “Dépit jaloux, haine cruelle” (Joabel, Chorus)
12. David et Jonathas, opera in one prologue and five acts, H. 490: Acte 2, Scene 3. “À vostre bras vanqueur” (Jonathas, David, Un de la suite de Jonathas, Chorus, Bergers)

Charpentier: David et Jonathas, H. 490 (conclusion)

1. David et Jonathas, opera in one prologue and five acts, H. 490: Acte 3, Scene 1. “Ah ! Je dois assurer et ma vie et l'empire ?” (Saül, Achis)
2. David et Jonathas, opera in one prologue and five acts, H. 490: Acte 3, Scene 2. “Objet d'une implacable haine” (Saül)
3. David et Jonathas, opera in one prologue and five acts, H. 490: Acte 3, Scene 3a. “David puet-il attendre un retour favorable ?” (Jonathas, Saül, David)
4. David et Jonathas, opera in one prologue and five acts, H. 490: Acte 3, Scene 3b. “Achevons, mon bonheur passe mon espérance” (Joabel)
5. David et Jonathas, opera in one prologue and five acts, H. 490: Acte 4, Scene 1. “Souverain juge des mortels” (David)
6. David et Jonathas, opera in one prologue and five acts, H. 490: Acte 4, Scene 2. “Vous me fuyez !” (Jonathas, David)
7. David et Jonathas, opera in one prologue and five acts, H. 490: Acte 4, Scene 3. “A-t-on jamais souffert une plus rude peine ?” (Jonathas, Chorus)
8. David et Jonathas, opera in one prologue and five acts, H. 490: Acte 4, Scene 4. “Venez, Seigneur, venez” (Saül, Achis)
9. David et Jonathas, opera in one prologue and five acts, H. 490: Acte 4, Scene 5. “Enfin vous m'écoutez, Seigneur” (Joabel, Achis, Chorus)
10. David et Jonathas, opera in one prologue and five acts, H. 490: Acte 5, Scene 1. “Courez, Saül attend un secours nécessaire” (Jonathas)
11. David et Jonathas, opera in one prologue and five acts, H. 490: Acte 5, Scene 2. “Que vois-je ? Que je perds et mon fils et l'empire” (Saül, Jonathas, Chorus)
12. David et Jonathas, opera in one prologue and five acts, H. 490: Acte 5, Scene 3. “Victoire ! Victoire !” (Chorus)
13. David et Jonathas, opera in one prologue and five acts, H. 490: Acte 5, Scene 4. “Qu'on sauve Jonathas” (David, Jonathas, Chorus)
14. David et Jonathas, opera in one prologue and five acts, H. 490: Acte 5, Scene 5. “Voi traitre, et reconnoi ta nouvelle victime” (Saül, David)
15. David et Jonathas, opera in one prologue and five acts, H. 490: Acte 5, Scene 6. “Joignez à vos exploits l'honneur du diadème” (Achis, David, Chorus)

Monteverdi: Vespro della Beata Vergine, SV 206 (beginning)

1. Vespro della Beata Vergine, SV 206: I. Domine ad adjuvandum me (sex vocibus et sex instrumentis)
2. Vespro della Beata Vergine, SV 206: II. Antiphon: Emmissiones tuae paradisus - Dixit Dominus (Psalm 109) (sex vocibus et sex instrumentis)
3. Vespro della Beata Vergine, SV 206: III. Nigra sum (Motetto ad una voce)
4. Vespro della Beata Vergine, SV 206: IV. Antiphon: Quae est ista - Laudate pueri Dominum (Psalm 112) (octo vocibus)
5. Vespro della Beata Vergine, SV 206: V. Pulchra es (a due voci)
6. Vespro della Beata Vergine, SV 206: VI. Antiphon: Sicut lilium inter spinas - Laetatus sum (Psalm 121) (a sei voci)
7. Vespro della Beata Vergine, SV 206: VII. Duo Seraphim (a tre voci)
8. Vespro della Beata Vergine, SV 206: VIII. Antiphon: veniat dilectus meus in hortum suum - Nisi Dominus (Psalm 126) (a dieci voci)
9. Vespro della Beata Vergine, SV 206: IX. Audi Coelum (sex vocibus)

Monteverdi: Vespro della Beata Vergine, SV 206 (conclusion)

1. Vespro della Beata Vergine, SV 206: X. Antiphon: Nigra sum - Lauda, Jerusalem (Psalm 147) (septem vocibus)
2. Vespro della Beata Vergine, SV 206: XI. Sonata sopra Santa Maria pro nobis (a 8)
3. Vespro della Beata Vergine, SV 206: XII. Ave maris stella Hymnis (octo vocibus)
4. Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XIII. Antiphon: Virgo prudentissima
5. Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XIII. Magnificat
6. Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XIV. Anima mea Dominum (a 2 voci)
7. Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XV. Et exultavit (a 3 voci)
8. Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XVI. Quia respexit (ad una voce sola)
9. Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XVII. Quia fecit (a 6 voci in dialogo)
10. Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XVIII. Et misericordia (a 3 voci)
11. Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XIX. Fecit potentiam (a 3 voci)
12. Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XX. Deposuit, et cantano doi (tenore in echo)
13. Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XXI. Esurientes (a 2 voci)
14. Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XXII. Suscepit Israel (a 2 voci)
15. Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XXIII. Sicut locutus est (a 5 voci in dialogo)
16. Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XXIV. Gloria Patri (a 6 voci)
17. Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XXV. Sicut erat in principio

Bach: Matthäus-Passion, BWV 244 (beginning)

1. Matthäus-Passion, BWV 244: Part I. No. 1. Chorus. “Kommt, ihr Töchter helft mir klagen” (chorus I, II, soprano in ripieno)
2. Matthäus-Passion, BWV 244: Part I. No. 2. Recitative. “Da Jesus diese Rede vollendet hatte” (Evangelist, Jesus)
3. Matthäus-Passion, BWV 244: Part I. No. 3. Chorale. “Herzliebster Jesu, was hast du verbrochen” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
4. Matthäus-Passion, BWV 244: Part I. No. 4. Recitative & Chorus. “Da versammelten sich die Hohepriester” (Evangelist, Jesus, chorus I, II)
5. Matthäus-Passion, BWV 244: Part I. No. 5. Recitative. “Du lieber Heiland du” (alto)
6. Matthäus-Passion, BWV 244: Part I. No. 6. Aria. “Buß und Reu” (alto)
7. Matthäus-Passion, BWV 244: Part I. No. 7. Recitative. “Da ging hin der Zwölfen einer” (Evangelist, Judas)
8. Matthäus-Passion, BWV 244: Part I. No. 8. Aria. “Blute nur, du liebes Herz!” (soprano)
9. Matthäus-Passion, BWV 244: Part I. No. 9. Recitative & Chorus. “Aber am ersten Tage der süßen Brot” (Evangelist, Jesus, chorus I)
10. Matthäus-Passion, BWV 244: Part I. No. 10. Chorale. “Ich bin's, ich sollte büßen” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
11. Matthäus-Passion, BWV 244: Part I. No. 11. Recitative. “Er antwortete und sprach” (Evangelist, Jesus, Judas)
12. Matthäus-Passion, BWV 244: Part I. No. 12. Recitative. “Wiewohl mein Herz in Tränen schwimmt” (soprano)
13. Matthäus-Passion, BWV 244: Part I. No. 13. Aria. “Ich will dir mein Herz schenken” (soprano)
14. Matthäus-Passion, BWV 244: Part I. No. 14. Recitative. “Und da sie den Lobgesang gesprochen hatten” (Evangelist, Jesus)
15. Matthäus-Passion, BWV 244: Part I. No. 15. Chorale. “Erkenne mich, mein Hüter” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
16. Matthäus-Passion, BWV 244: Part I. No. 16. Recitative. “Petrus aber antwortete und sprach zu ihm” (Evangelist, Petrus, Jesus)
17. Matthäus-Passion, BWV 244: Part I. No. 17. Chorale. “Ich will hier bei dir stehen” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
18. Matthäus-Passion, BWV 244: Part I. No. 18. Recitative. “Da kam Jesus mit ihnen zu einem Hole” (Evangelist, Jesus)
19. Matthäus-Passion, BWV 244: Part I. No. 19. Recitative & Chorale. “O Schmerz! Hier zittert das gequälte Herz!” (tenor, chorus II)
20. Matthäus-Passion, BWV 244: Part I. No. 20. Aria & Chorus. “Ich will bei meinem Jesu wachen” (tenor, chorus II)
21. Matthäus-Passion, BWV 244: Part I. No. 21. Recitative. “Und ging hin ein wenig” (Evangelist, Jesus)
22. Matthäus-Passion, BWV 244: Part I. No. 22. Recitative. “Der Heiland fällt vor seinem Vater nieder” (bass)
23. Matthäus-Passion, BWV 244: Part I. No. 23. Aria. “Gerne will ich mich bequemen” (bass) (von Orchestre de Chambre de Lausanne, Michel Corboz)

Bach: Matthäus-Passion, BWV 244 (continuing)

1. Matthäus-Passion, BWV 244: Part I. No. 24. Recitative. “Und er kam zu seinem Jüngen” (Evangelist, Jesus)
2. Matthäus-Passion, BWV 244: Part I. No. 25. Chorale. “Was emin Gott will, das g'scheh allzeit” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
3. Matthäus-Passion, BWV 244: Part I. No. 26. Recitative. “Und er kam und fand sie aber schlafen” (Evangelist, Jesus, Judas)
4. Matthäus-Passion, BWV 244: Part I. No. 27. Aria (Duet) & Chorus. “So ist mein Jesus nun gefangen” (soprano, alto, chorus I, II)
5. Matthäus-Passion, BWV 244: Part I. No. 28. Recitative. “Und siehe, einer aus denen” (Evangelist, Jesus)
6. Matthäus-Passion, BWV 244: Part I. No. 29. Chorale. “O Mensch, bewein' dein' Sünde groß” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
7. Matthäus-Passion, BWV 244: Part II. No. 30. Aria & Chorus. “Ach, nun ist mein Jesus hin!” (alto, chorus II)
8. Matthäus-Passion, BWV 244: Part II. No. 31. Recitative. “Die aber Jesum gegriffen hatten” (Evangelist)
9. Matthäus-Passion, BWV 244: Part II. No. 32. Chorale. “Mir hat die Welt trüglich gericht” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
10. Matthäus-Passion, BWV 244: Part II. No. 33. Recitative. “Und wiewohl viel falsche” (Evangelist, Witnesses, High Priest)
11. Matthäus-Passion, BWV 244: Part II. No. 34. Recitative. “Mein Jesus schweigt zu falschen Lügen stille” (tenor)
12. Matthäus-Passion, BWV 244: Part II. No. 35. Aria. “Geduld!” (tenor)
13. Matthäus-Passion, BWV 244: Part II. No. 36. Recitative & Chorus. “Und der Hohepriester antwort” (Evangelist, High Priest, Jesus, chorus I, II)
14. Matthäus-Passion, BWV 244: Part II. No. 37. Chorale. “Wer hat dich so geschlagen” (chorus) (von Orchestre de Chambre de Lausanne, Michel Corboz)
15. Matthäus-Passion, BWV 244: Part II. No. 38. Recitative & Chorus. “Petrus aber saß draußen im Palast” (Evangelist, Maids I/II, Petrus, chorus II)
16. Matthäus-Passion, BWV 244: Part II. No. 39. Aria. “Erbarme dich” (alto) (von Carolyn Watkinson, Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
17. Matthäus-Passion, BWV 244: Part II. No. 40. Chorale. “Bin ich gleich von dir gewichen” (chorus) (von Orchestre de Chambre de Lausanne, Michel Corboz)
18. Matthäus-Passion, BWV 244: Part II. No. 41. Recitative & Chorus. “Des Morgens aber hielten alle Hohepriester” (Evangelist, Judas, High Priest I, II)
19. Matthäus-Passion, BWV 244: Part II. No. 42. Aria. “Gebt mir meinen Jesum wieder” (bass)
20. Matthäus-Passion, BWV 244: Part II. No. 43. Recitative. “Sie hielten aber einen Rat” (Evangelist, Pilatus, Jesus)
21. Matthäus-Passion, BWV 244: Part II. No. 44. Chorale. “Befiehl du deine Wege” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
22. Matthäus-Passion, BWV 244: Part II. No. 45. Recitative & Chorus. “Auf das Fest aber hatte der Landpfleger” (Evangelist, Pilatus, Pilatus' wife, chorus I, II)
23. Matthäus-Passion, BWV 244: Part II. No. 46. Chorale. “Wie wunderbarlich ist doch diese Strafe” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
24. Matthäus-Passion, BWV 244: Part II. No. 47. Recitative. “Der Landpfleger sagte” (Evangelist, Pilatus)
25. Matthäus-Passion, BWV 244: Part II. No. 48. Recitative. “Er hat uns allen wohlgetan” (soprano)
26. Matthäus-Passion, BWV 244: Part II. No. 49. Aria. “Aus Liebe will mein Heiland sterben” (soprano)

Bach: Matthäus-Passion, BWV 244 (conclusion)

1. Matthäus-Passion, BWV 244: Part II. No. 50. Recitative & Chorus. “Sie schrien aber noch mehr” (Evangelist, Pilatus, chorus I, II)
2. Matthäus-Passion, BWV 244: Part II. No. 51. Recitative. “Erbarm' es Gott” (alto)
3. Matthäus-Passion, BWV 244: Part II. No. 52. Aria. “Können Tränen meinen Wangen” (alto)
4. Matthäus-Passion, BWV 244: Part II. No. 53. Recitative & Chorus. “Da nahmen die Kriegsknechte” (Evangelist, chorus I, II)
5. Matthäus-Passion, BWV 244: Part II. No. 54. Chorale. “O Haupt voll Blut und Wunden” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
6. Matthäus-Passion, BWV 244: Part II. No. 55. Recitative. “Und da sie ihn versottet hatten” (Evangelist)
7. Matthäus-Passion, BWV 244: Part II. No. 56. Recitative. “Ja freilich will in uns das Fleisch und Blut” (bass)
8. Matthäus-Passion, BWV 244: Part II. No. 57. Aria. “Komm, süßes Kreuz, so will ich sagen” (bass)
9. Matthäus-Passion, BWV 244: Part II. No. 58. Recitative & Chorus. “Und da sie an die Stätte kamen” (Evangelist, chorus I, II)
10. Matthäus-Passion, BWV 244: Part II. No. 59. Recitative. “Ach Golgotha” (alto)
11. Matthäus-Passion, BWV 244: Part II. No. 60. Aria & Chorus. “Sehet, Jesus hat die Hand” (alto, chorus II)
12. Matthäus-Passion, BWV 244: Part II. No. 61. Recitative & Chorus. “Und von der sechsten Stunde an” (Evangelist)
13. Matthäus-Passion, BWV 244: Part II. No. 62. Chorale. “Wenn ich einmal soll scheiden” (soprano, flute and continuo)
14. Matthäus-Passion, BWV 244: Part II. No. 63. Recitative & Chorus. “Und siehe da, der Vorhang im Tempel zerriß” (Evangelist, Jesus, chorus I, II)
15. Matthäus-Passion, BWV 244: Part II. No. 64. Recitative. “Am Abend, da es kühle war” (bass)
16. Matthäus-Passion, BWV 244: Part II. No. 65. Aria. “Mache dich, mein Herze, rein” (bass)
17. Matthäus-Passion, BWV 244: Part II. No. 66. Recitative & Chorus. “Und Joseph nahm den Leib” (Evangelist, Pilatus, chorus I, II)
18. Matthäus-Passion, BWV 244: Part II. No. 67. Recitative & Chorus. “Nun ist der Herr zur Ruh gebracht” (bass, tenor, alto, soprano, chorus II)
19. Matthäus-Passion, BWV 244: Part II. No. 68. Chorus. “Wir setzen uns mit Tränen nieder” (chorus I, II)

Bach: Weihnachtsoratorium, BWV 248 (beginning)

1. Weihnachtsoratorium, BWV 248: Part I. No. 1. Chorus “Jauchzet, frohlocket, auf, preiset die Tage” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
2. Weihnachtsoratorium, BWV 248: Part I. No. 2. Recitative. “Es begab sich aber zu der Zeit” (Evangelist)
3. Weihnachtsoratorium, BWV 248: Part I. No. 3. Recitative. “Nun wird mein liebster Bräutigam” (alto)
4. Weihnachtsoratorium, BWV 248: Part I. No. 4. Aria. “Bereite dich, Zion, mit zärtlichen Trieben” (alto)
5. Weihnachtsoratorium, BWV 248: Part I. No. 5. Chorale. “Wie soll ich dich empfangen” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
6. Weihnachtsoratorium, BWV 248: Part I. No. 6. Recitative. “Und sie gebar ihren ersten Sohn” (Evangelist)
7. Weihnachtsoratorium, BWV 248: Part I. No. 7. Chorale. “Er ist auf Erden kommen arm” (chorus) - Recitative. “Wer will die Liebe” (bass)
8. Weihnachtsoratorium, BWV 248: Part I. No. 8. Aria. “Großer Herr, o starker König” (bass)
9. Weihnachtsoratorium, BWV 248: Part I. No. 9. Chorale. “Ach mein herzliebes Jesulein” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
10. Weihnachtsoratorium, BWV 248: Part II. No. 10. Sinfonia (von Orchestre de Chambre de Lausanne, Michel Corboz)
11. Weihnachtsoratorium, BWV 248: Part II. No. 11. Recitative. “Und es waren Hirten in derselben Gegend” (Evangelist)
12. Weihnachtsoratorium, BWV 248: Part II. No. 12. Chorale. “Brich an, o schönes Morgenlicht” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
13. Weihnachtsoratorium, BWV 248: Part II. No. 13. Recitative. “Und der Engel sprach zu ihnen” (Evangelist, Angelus)
14. Weihnachtsoratorium, BWV 248: Part II. No. 14. Recitative. “Was Gott dem Abraham verheißen” (bass)
15. Weihnachtsoratorium, BWV 248: Part II. No. 15. Aria. “Frohe Hirten, eilt, ach eilet” (tenor)
16. Weihnachtsoratorium, BWV 248: Part II. No. 16. Recitative. “Und das habt zum Zeichen” (Evangelist)
17. Weihnachtsoratorium, BWV 248: Part II. No. 17. Chorale. “Schaut hin, dort liegt im finstern Stall” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
18. Weihnachtsoratorium, BWV 248: Part II. No. 18. Recitative. “So geht denn hin” (bass)
19. Weihnachtsoratorium, BWV 248: Part II. No. 19. Aria. “Schlafe, mein Liebster” (alto)
20. Weihnachtsoratorium, BWV 248: Part II. No. 20. Recitative. “Und alsobald war da bei dem Engel” (Evangelist)
21. Weihnachtsoratorium, BWV 248: Part II. No. 21. Chorus. “Ehre sei Gott in der Höhe” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
22. Weihnachtsoratorium, BWV 248: Part II. No. 22. Recitative. “So recht, ihr Engel” (bass)
23. Weihnachtsoratorium, BWV 248: Part II. No. 23. Chorale. “Wir singen dir in deinem Heer” (chorus) (von Orchestre de Chambre de Lausanne, Michel Corboz)
24. Weihnachtsoratorium, BWV 248: Part III. No. 24. Chorus. “Herrscher des Himmels, erhöre das Lallen” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
25. Weihnachtsoratorium, BWV 248: Part III. No. 25. Recitative. “Und da die Engel von ihnen gen Himmel führen” (Evangelist)
26. Weihnachtsoratorium, BWV 248: Part III. Nos. 26-27. Chorus & Recitative. “Lasset uns nun gehen gen Bethlehem” / No. 28. Chorale. “Dies hat er alles uns getan” (chorus, bass)
27. Weihnachtsoratorium, BWV 248: Part III. No. 29. Duet. “Herr, dein Mitleid, dein Erbarmen” (soprano, bass)
28. Weihnachtsoratorium, BWV 248: Part III. No. 30. Recitative. “Und sie kamen eilend” (Evangelist)
29. Weihnachtsoratorium, BWV 248: Part III. No. 31. Aria. “Schließe, mein Herze, dies selige Wunder” (alto)
30. Weihnachtsoratorium, BWV 248: Part III. No. 32. Recitative. “Ja, ja, mein Herz” (alto)
31. Weihnachtsoratorium, BWV 248: Part III. No. 33. Chorale. “Ich will dich mit Fleiß bewahren” / No. 34. Recitative. “Und die Hirten kehrten wieder um” (chorus, Evangelist)
32. Weihnachtsoratorium, BWV 248: Part III. No. 35. Chorale. “Seid froh dieweil” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
33. Weihnachtsoratorium, BWV 248: Part III. No. 24. Chorus da capo. “Herrscher des Himmels, erhöre das Lallen” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)

Bach: Weihnachtsoratorium, BWV 248 (conclusion)

1. Weihnachtsoratorium, BWV 248: Part IV. No. 36. Chorus. “Fallt mit Danken, fallt mit Loben” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
2. Weihnachtsoratorium, BWV 248: Part IV. No. 37. Recitative. “Und da acht Tage um waren” (Evangelist)
3. Weihnachtsoratorium, BWV 248: Part IV. No. 38. Recitative & Arioso-Chorale. “Immaneuel, o süßes Wort” (bass, soprano)
4. Weihnachtsoratorium, BWV 248: Part IV. No. 39. Aria. “Flößt, mein Heiland” (soprano, echo soprano)
5. Weihnachtsoratorium, BWV 248: Part IV. No. 40. Recitative & Arioso-Chorale. “Wohlan, dein Name soll allein” (bass, soprano)
6. Weihnachtsoratorium, BWV 248: Part IV. No. 41. Aria. “Ich will nur dir zu Ehren leben” (tenor)
7. Weihnachtsoratorium, BWV 248: Part IV. No. 42. Chorale. “Jesus richte mein Beginnen” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
8. Weihnachtsoratorium, BWV 248: Part V. No. 43. Chorus. “Ehre sei dir, Gott, gesungen” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
9. Weihnachtsoratorium, BWV 248: Part V. No. 44. Recitative. “Da Jesus geboren war zu Bethlehem” / No. 45. Chorus & Recitative. “Wo ist der neugeborne König der Juden” (Evangelist, alto, chorus)
10. Weihnachtsoratorium, BWV 248: Part V. No. 46. Chorale. “Dein Glanz all Finsternis verzehrt” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
11. Weihnachtsoratorium, BWV 248: Part V. No. 47. Aria. “Erleucht, auch meine finstre Sinnen” (bass)
12. Weihnachtsoratorium, BWV 248: Part V. No. 48. Recitative. “Da das der König” / No. 49. Recitative. “Warum wollt ihr erschrecken” / No. 50. Recitative. “Und ließ versammeln” (Evangelist, alto)
13. Weihnachtsoratorium, BWV 248: Part V. No. 51. Trio. “Ach, wenn wird die Zeit erscheinen?” (soprano, alto, tenor)
14. Weihnachtsoratorium, BWV 248: Part V. No. 52. Recitative. “Mein Liebster herrschet schon” (alto)
15. Weihnachtsoratorium, BWV 248: Part V. No. 53. Chorale. “Zwar ist solche Herzensstube” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
16. Weihnachtsoratorium, BWV 248: Part VI. No. 54. Chorus. “Herr, wenn die stolzen Feinde schnauben” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
17. Weihnachtsoratorium, BWV 248: Part VI. No. 55. Recitative. “Da bereif Herodes die Weisen heimlich” (Evangelist, bass)
18. Weihnachtsoratorium, BWV 248: Part VI. No. 56. Recitative. “Du Falscher, suche nur den Herrn zu fällen” (soprano)
19. Weihnachtsoratorium, BWV 248: Part VI. No. 57. Aria. “Nur ein Wink von seinen Händen” (soprano)
20. Weihnachtsoratorium, BWV 248: Part VI. No. 58. Recitative. “Als sie nun den König gehöret hatten” (Evangelist)
21. Weihnachtsoratorium, BWV 248: Part VI. No. 59. Chorale. “Ich steh an deiner Krippen hier” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
22. Weihnachtsoratorium, BWV 248: Part VI. No. 60. Recitative. “Und Gott befahl ihnen im Traum” (Evangelist)
23. Weihnachtsoratorium, BWV 248: Part VI. No. 61. Recitative. “So geht! Genug, mein Schatz geht nicht von hier” (tenor)
24. Weihnachtsoratorium, BWV 248: Part VI. No. 62. Aria. “Nun mögt ihr stolzen Feinde schrecken” (tenor)
25. Weihnachtsoratorium, BWV 248: Part VI. No. 63. Recitative. “Was will der Höllen Schrecken nun” (soprano, alto, tenor, bass)
26. Weihnachtsoratorium, BWV 248: Part VI. No. 64. Chorale. “Nun seid ihr wohl gerochen” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)

Monteverdi: Orfeo (beginning)

1. Orfeo, favola in musica: Toccata (von Orchestre de l’Opéra de Lyon, Michel Corboz)
2. Orfeo, favola in musica: Prologo: Ritornello (La Musica)
3. Orfeo, favola in musica: Atto Primo. “In questo lieto e fortunato giorno” - “Vieni Imeneo” - “Muse, onor di Parnaso, amor del cielo” (Shepherd 1, Nymph, chorus of Nymphs and Shepherds, Shepherd 3)
4. Orfeo, favola in musica: Atto Primo. “Lasciate i monti” - “Ma tu, gentil cantor” (chorus of Nymphs and Shepherds, Shepherd 3)
5. Orfeo, favola in musica: Atto Primo. “Rosa del ciel, vita del mondo” (Orfeo)
6. Orfeo, favola in musica: Atto Primo. “Io non dirò qual sia” (Euridice)
7. Orfeo, favola in musica: Atto Primo. “Lasciate i monti” - “Vieni Imeneo, deh, vieni” (chorus of Nymphs and Shepherds)
8. Orfeo, favola in musica: Atto Primo. “Ma s'il nostro…” - Ritornello - “Alcun non sia…” - Ritornello - “Chè, poichè nembo…” - Ritornello - “E dopo l'aspro…” - “Ecco Orfeo cui…” (Nymph, Shepherds, chorus of Nymphs and Shepherds)
9. Orfeo, favola in musica: Atto Secondo. “Ecco pur ch'a voi ritorno” - “Mira ch'a sè n'alletta” - “In questo prato adorno” - “Qui Pan, dio de' pastori” - “Dunque fa degni, Orfeo” (Orfeo, Shepherd 1, Shepherd 2, chorus of Nymphs and Shepherds)
10. Orfeo, favola in musica: Atto Secondo. “Vi ricorda, o bosch' ombrosi” (Orfeo)
11. Orfeo, favola in musica: Atto Secondo. “Mira, deh mira, Orfeo, che d'ohni intorno” (Shepherd 2)
12. Orfeo, favola in musica: Atto Secondo. “Ahi caso acerbo! ahi fat' empio e crudele!” (Messenger, Orfeo, Shepherds)
13. Orfeo, favola in musica: Atto Secondo. “Tu se' morta, mia vita, ed io respiro?” (Orfeo)
14. Orfeo, favola in musica: Atto Secondo. “Ahi caso acerbo, ahi fat' empio e crudele!” - “Ma io ch'in questa lingua” - Sinfonia (Messenger, chorus of Nymphs and Shepherds)
15. Orfeo, favola in musica: Atto Secondo. “Chi ne consola, ahi lassi?” - “Ahi caso acerbo…” - “Ma dove, ah, dove or sono” - “Ahi caso acerbo…” - Ritornello (Shepherd 1, Shepherd 2, chorus of Nymphs and Shepherds)

Monteverdi: Orfeo (conclusion)

1. Orfeo, favola in musica: Atto Terzo. Sinfonia - “Scorto da te, mio Nume” (Orfeo)
2. Orfeo, favola in musica: Atto Terzo. “Ecco l'astra palude, ecco il nocchiero” - “Dove, ah, dove te 'n vai” (La Speranza, Orfeo)
3. Orfeo, favola in musica: Atto Terzo. “O tu ch'innanzi mort' a queste rive” - Sinfonia (Caronte) (von Orchestre de l’Opéra de Lyon, Michel Corboz)
4. Orfeo, favola in musica: Atto Terzo. “Possente spirto e formidabil Nume” (Orfeo)
5. Orfeo, favola in musica: Atto Terzo. “Ben mi lusinga alquanto” - “Ahi, sventurato amante” - Sinfonia (Caronte, Orfeo)
6. Orfeo, favola in musica: Atto Terzo. “Ei dorme, e la mia cetra” (Orfeo)
7. Orfeo, favola in musica: Atto Terzo. Sinfonia - “Nulla impresa per uom si tenta invano” (chorus of Infernal Spirits)
8. Orfeo, favola in musica: Atto Quarto. “Signor, quell'infelice” (Proserpina)
9. Orfeo, favola in musica: Atto Quarto. “Benchè severo ed” - “O degli abitator… Pietade oggi e Amore” (Plutone, Spirits, Proserpina, chorus of Infernal Spirits)
10. Orfeo, favola in musica: Atto Quarto. “Ecco il gentil cantore” - “Qual onor di te fia degno” (Spirits, Orfeo)
11. Orfeo, favola in musica: Atto Quarto. “Ahi, vista troppo dolce e troppo amara!” - “Torn'a l'ombre di morte” (Euridice, Spirit 1, Orfeo, chorus of Infernal Spirits)
12. Orfeo, favola in musica: Atto Quarto. “E' la virtute un raggio” - Sinfonia (chorus of Infernal Spirits)
13. Orfeo, favola in musica: Atto Quinto. Ritornello - “Questi i campi di Tracia…” - Sinfonia (Orfeo, Eco)
14. Orfeo, favola in musica: Atto Quinto. “Perch'a lo sdegno ed al dolor in preda” (Apollo, Orfeo)
15. Orfeo, favola in musica: Atto Quinto. “Saliam cantand' al cielo” (Apollo, Orfeo)
16. Orfeo, favola in musica: Atto Quinto. “Vanne, Orfeo, felice appieno” - Moresca (chorus)

Purcell: Dido and Aeneas

1. Dido and Aeneas, opera in three acts: Overture (von Ensemble Instrumental de Lausanne, Michel Corboz)
2. Dido and Aeneas, opera in three acts: Act 1. “Shake the cloud from off your brow” (Belinda, chorus)
3. Dido and Aeneas, opera in three acts: Act 1. “Ah! Ah! Belinda, I am press'd with torment” (Dido)
4. Dido and Aeneas, opera in three acts: Act 1. “Grief increases by concealing” (Belinda, Dido) / “When monarks unite, how happy their state” (chorus) / “Whence could so much virtue spring” (Dido, Belinda)
5. Dido and Aeneas, opera in three acts: Act 1. “Fear no danger to ensue” (Belinda, Second Woman, chorus)
6. Dido and Aeneas, opera in three acts: Act 1. “See, your royal guest appears” (Belinda, Aeneas, Dido) / “Cupid only throws the dart” (chorus)
7. Dido and Aeneas, opera in three acts: Act 1. “If not for mine, for empire's sake” (Aeneas) / “Pursue thy conquest, Love” (Belinda) / “To the hills and the vales” (chorus)
8. Dido and Aeneas, opera in three acts: Act 1. The Triumphing Dance (von Ensemble Instrumental de Lausanne, Michel Corboz)
9. Dido and Aeneas, opera in three acts: Act 2, Scene 1. Prelude for the Witches: “Ecco pur ch'a voi ritorno” (Sorceress, First Witch) / “Harm's our delight and mischief all our skill” (chorus)
10. Dido and Aeneas, opera in three acts: Act 2, Scene 1. “The Queen of Carthage, whom we hate” (Sorceress) / “Ho, ho, ho” (chorus) / “Ruin'd ere the set of sun” (Witches, Sorceress) / “Ho, ho, ho” (chorus) / “But ere we this perform” (Witches)
11. Dido and Aeneas, opera in three acts: Act 2, Scene 1. “In our deep-vaulted cell the charm we'll prepare” (chorus) / Echo Dance of Furies
12. Dido and Aeneas, opera in three acts: Act 2, Scene 2. Ritornelle / “Thanks to these lonesome vales” (Belinda, chorus)
13. Dido and Aeneas, opera in three acts: Act 2, Scene 2. “Oft she visits this lone mountain” (Second Woman)
14. Dido and Aeneas, opera in three acts: Act 2, Scene 2. “Behold, upon my bending spear” (Aeneas, Dido) / “Haste, haste to town” (Belinda, chorus)
15. Dido and Aeneas, opera in three acts: Act 2, Scene 2. “Stay, Prince, and hear great Jove's command” (Spirit, Aeneas)
16. Dido and Aeneas, opera in three acts: Act 3. Prelude: “Come away, fellow sailors” (First Sailor, chorus) / The Sailor's Dance
17. Dido and Aeneas, opera in three acts: Act 3. “See the flags and streamers curling” (Sorceress, Witches) / “Our next motion” (Sorceress)
18. Dido and Aeneas, opera in three acts: Act 3. “Destruction's our delight” (chorus)
19. Dido and Aeneas, opera in three acts: Act 3. The Witches' Dance (von Ensemble Instrumental de Lausanne, Michel Corboz)
20. Dido and Aeneas, opera in three acts: Act 3. “Your counsel all is urg'd in vain” (Dido, Belinda, Aeneas) / “Great minds against themselves conspire” (chorus)
21. Dido and Aeneas, opera in three acts: Act 3. “Thy hand, Belinda, darkness shades me” (Dido)
22. Dido and Aeneas, opera in three acts: Act 3. “When I am laid in earth” (Dido)
23. Dido and Aeneas, opera in three acts: Act 3. Cupids' Dance: “With drooping wings ye Cupids come” (chorus)

Handel: Messiah, KV 572 (beginning)

1. Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Overture
2. Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo accompagnato ed Aria: “Trostet Zion!”
3. Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Denn di Herrlichkeit” (chorus)
4. Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo accompagnato ed Aria: “So spricht der Her” / Aria: “Doch wer mag” (bass)
5. Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Und er wird” / Recitativo: “Denn sieh!” (chorus)
6. Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo, Aria & Coro: “Denn sieh!” / Aria: “O du, die Wonne” (soprano II, chorus)
7. Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo accompagnato ed Aria: “Blick auf!” / Aria: “Das Volk” (bass)
8. Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Uns ist zum” (chorus)
9. Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Pifa
10. Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo: “Es waren Hirten” / Recitativo accompagnato: “Und sief!” / Coro: “Ehre sei Gott” (Angel, chorus)
11. Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Aria: “Erwach' zu Liedern der Wonne” (tenor)
12. Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo ed Aria: “Dann tut das Auge des Blinden sich auf” / Aria: “Er weidet seine Herde” (soprano I)
13. Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Sein Joch ist sanft” (chorus)
14. Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Kommt her” (chorus)
15. Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Aria: “Er ward verschmähet” (soprano II)

Handel: Messiah, KV 572 (conclusion)

1. Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Wahrlich” (chorus)
2. Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Durch seine Wunden” (chorus)
3. Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Wie Schafe geh'n” (chorus)
4. Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo accompagnato: “Und alle” (soprano I) / Coro: “Er trauete Gott” (chorus)
5. Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo accompagnato: “Die Schmach bricht ihm sein Herz” / Aria: “Schautr hin und sieh!” (soprano II)
6. Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo accompagnato: “Er ist dahin aus dem Lande der Lebenden” / Aria: “Doch du liessest ihn” (soprano I)
7. Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Machet das Tor weit” (chorus)
8. Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo: “Zu welchen” / Aria: “Der Herr gab das Wort” (soprano II)
9. Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Aria: “Wie lieblich” (soprano I)
10. Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Ihr Schall ging aus” (chorus)
11. Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Aria: “Warum entbrennen” (bass)
12. Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Brecht entzwei” (chorus)
13. Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo: “Der da wohnet im Himmel” / Aria: “Du zerschlägst sie” (tenor)
14. Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Hallelujah” (chorus)
15. Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Aria: “Ich weiß” (soprano I)
16. Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Coro: “Wie durch Einen der Tod” (chorus)
17. Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Recitativo accompagnato ed Aria: “Sie schallt” (bass)
18. Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Recitativo ed Duetto: “O Tod, wo ist dein Pfeil” (soprano II, tenor)
19. Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Coro: “Doch Dank sei Dir Gott” (chorus)
20. Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Coro: “Würdig ist das Lamm” / “Amen” (chorus)

Bach: Mass in B minor, BWV 232 (beginning)

1. Mass in B minor, BWV 232: Kyrie. I. Kyrie eleison I (chorus)
2. Mass in B minor, BWV 232: Kyrie. II. Christe eleison (soprano, mezzo-soprano)
3. Mass in B minor, BWV 232: Kyrie. III. Kyrie eleison II (chorus)
4. Mass in B minor, BWV 232: Gloria. IV. Gloria in excelsis (von Ensemble Instrumental de Lausanne, Michel Corboz)
5. Mass in B minor, BWV 232: Gloria. V. Et in terra pax (chorus)
6. Mass in B minor, BWV 232: Gloria. VI. Laudamus te (soprano)
7. Mass in B minor, BWV 232: Gloria. VII. Gratias agimus tibi (chorus)
8. Mass in B minor, BWV 232: Gloria. VIII. Domine Deus (soprano, tenor)
9. Mass in B minor, BWV 232: Gloria. IX. Qui tollis peccata mundi (chorus)
10. Mass in B minor, BWV 232: Gloria. X. Qui sedes ad dexteram Patris (mezzo-soprano)
11. Mass in B minor, BWV 232: Gloria. XI. Quoniam tu solus sanctus (bass)
12. Mass in B minor, BWV 232: Gloria. XII. Cum Sancto Spiritu (chorus)

Bach: Mass in B minor, BWV 232 (conclusion)

1. Mass in B minor, BWV 232: Credo. XIII. Credo in unum Deum (chorus)
2. Mass in B minor, BWV 232: Credo. XIV. Patrem omnipotentem (chorus)
3. Mass in B minor, BWV 232: Credo. XV. Et in unum Dominum (soprano, mezzo-soprano)
4. Mass in B minor, BWV 232: Credo. XVI. Et incarnatus est (chorus)
5. Mass in B minor, BWV 232: Credo. XVII. Crucifixus (chorus)
6. Mass in B minor, BWV 232: Credo. XVIII. Et resurrexit (chorus)
7. Mass in B minor, BWV 232: Credo. XIX. Et in Spiritum Sanctum Dominum (baritone) (von Ensemble Instrumental de Lausanne, Michel Corboz)
8. Mass in B minor, BWV 232: Credo. XX. Confiteor (chorus)
9. Mass in B minor, BWV 232: Credo. XXI. Et expecto (chorus)
10. Mass in B minor, BWV 232: Sanctus. XXII. Sanctus (chorus)
11. Mass in B minor, BWV 232: Sanctus. XXIII. Osanna in excelsis (chorus)
12. Mass in B minor, BWV 232: Sanctus. XXIV. Benedictus (tenor)
13. Mass in B minor, BWV 232: Sanctus. XXV. Osanna repetirur (chorus)
14. Mass in B minor, BWV 232: Sanctus. XXVI. Agnus Dei (mezzo-soprano)
15. Mass in B minor, BWV 232: Sanctus. XXVII. Dona nobis pacem (chorus)

Martin: Golgotha (beginning)

1. Golgotha: I. Chœur d'introduction (Chorus)
2. Golgotha: II. Les Rameaux (Bass, Soprano, Alto, Tenor, Chorus, Jesus)
3. Golgotha: III. Le Discours du Template (Chorus, Jesus, Soprano)
4. Golgotha: IV. La Sainte Cène (Tenor, Jesus, Bass)
5. Golgotha: V. Gethsémané (Alto, Tenor, Jesus, Bass, Soprano, Chorus)

Martin: Golgotha (end) / Et la vie l’emporta

1. Golgotha: VI. Dialogue d'introduction: « Que dirais-je, que ferais-je ? » (Alto, Chorus)
2. Golgotha: VII. Jésus devant le Sanhédrin (Chorus, Tenor, Bass, Jesus, Soprano, Alto)
3. Golgotha: VIII. Jésus devant Pilate (Bass, Pilate, Chorus, Jesus)
4. Golgotha: IX. Le Calvaire (Golgotha) (Chorus, Jesus, Tenor)
5. Golgotha: X. Dialogue de conclusion: « O Mort ! Où est ton aiguillon ? » (Soprano, Alto, Tenor, Bass, Chorus)
6. Et la vie l'emporta: I. Imploration
7. Et la vie l'emporta: II. Combat
8. Et la vie l'emporta: III. Offrande

Fauré: Requiem / Stravinsky: Les Noces

1. Requiem, op. 48: I. Introit et Kyrie
2. Requiem, op. 48: II. Offertoire
3. Requiem, op. 48: III. Sanctus
4. Requiem, op. 48: IV. Pie Jesu
5. Requiem, op. 48: V. Agnus Dei
6. Requiem, op. 48: VI. Libera me
7. Requiem, op. 48: VII. In Paradisum
8. Les Noces (French version by Charles Ferdinand Ramuz): Scène 1. La Tresse – The Tresses
9. Les Noces (French version by Charles Ferdinand Ramuz): Scène 2. Chez le marié – At the Bridegroom’s House
10. Les Noces (French version by Charles Ferdinand Ramuz): Scène 3. Le Départ de la mariée – The Bride’s Departure
11. Les Noces (French version by Charles Ferdinand Ramuz): Scène 4. Le Repas de noces – The Wedding Feast

Puccini: Messa di Gloria

1. Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Kyrie (von Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
2. Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Gloria. Gloria in excelsis Deo - In terra pax - Laudamus te (von Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
3. Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Gloria. Gratias agimus tibi
4. Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Gloria. Gloria in excelsis Deo - Domine Deus, Rex coelestis (von Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
5. Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Gloria. Qui tollis peccata mundi (von Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
6. Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Gloria. Quoniam tu solus Sanctus (von Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
7. Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Gloria. Cum Sancto Spiritu in gloria Patris - Gloria in excelsis Deo (von Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
8. Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Credo. Credo in unum Deum (von Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
9. Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Credo. Et incarnatus est (von Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, William Johns, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
10. Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Credo. Crucifixus (von Philippe Huttenlocher, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
11. Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Credo. Et resurrexit (von Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
12. Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Credo. Et unam sanctam catholicam (von Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
13. Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Credo. Et expecto resurrectionem (von Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
14. Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Sanctus (von Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
15. Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Benedictus (von Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, Philippe Huttenlocher, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
16. Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Agnus Dei (von Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, Philippe Huttenlocher, William Johns, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)

Brahms: Motet op. 74 no. 1 / Marienlieder & Other Lieder

1. Motet “Warum ist das Licht gegeben dem Mühseligen?”, op. 74 no. 1: “Warum ist das Licht gegeben dem Mühseligen?” (Langsam und ausdrucksvoll)
2. Motet “Warum ist das Licht gegeben dem Mühseligen?”, op. 74 no. 1: “Lasset uns unser Herz samt den Händen aufheben” (Wenig bewegter)
3. Motet “Warum ist das Licht gegeben dem Mühseligen?”, op. 74 no. 1: “Siehe wir preisen selig, die erduldet haben” (Langsam und sanft)
4. Motet “Warum ist das Licht gegeben dem Mühseligen?”, op. 74 no. 1: “Mit Fried und Freud ich fahr' dahin” (Chorale)
5. Marienlieder, op. 22: Der englische Gruss
6. Marienlieder, op. 22: Marias Kirchgang
7. Marienlieder, op. 22: Marias Wallfahrt
8. Marienlieder, op. 22: Der Jager 2.4
9. Marienlieder, op. 22: Ruf zur Maria
10. Marienlieder, op. 22: Magdalena
11. Marienlieder, op. 22: Marias Lob
12. Lieder, op. 62: No. 1 Rosmarin
13. Lieder, op. 62: No. 3 Waldesnacht
14. Lieder, op. 62: No. 4 Dein Herzlein mild
15. Lieder, op. 62: No. 7 Vergangen ist mir Glück und Heil
16. Lieder und Romanzen, op. 93a: No. 1 Der bucklichte Fiedler
17. Lieder und Romanzen, op. 93a: No. 3 O süsser Mai
18. Lieder und Romanzen, op. 93a: No. 6 Beherzigung
19. Deutsche Volkslieder, WoO 34: No. 8 In Stiller Nacht, zur ersten Wacht
20. Deutsche Volkslieder, WoO 34: No. 9 Abschiedslied
21. Abschiedslieder, op. 104: No. 5 Im Herbst

Mozart: Requiem (1975)

1. Requiem in D minor, K. 626: I. Introitus. Requiem aeternam (Chorus, Soprano) / II. Kyrie eleison (Chorus)
2. Requiem in D minor, K. 626: III. Sequentia. Dies irae (Chorus)
3. Requiem in D minor, K. 626: III. Sequentia. Tuba mirum (Solo Quartet)
4. Requiem in D minor, K. 626: III. Sequentia. Rex tremendae (Chorus)
5. Requiem in D minor, K. 626: III. Sequentia. Recordare (Solo Quartet)
6. Requiem in D minor, K. 626: III. Sequentia. Confutatis (Chorus)
7. Requiem in D minor, K. 626: III. Sequentia. Lacrimosa (Chorus)
8. Requiem in D minor, K. 626: IV. Offertorium. Domine Jesu Christe (Chorus, Solo Quartet)
9. Requiem in D minor, K. 626: IV. Offertorium. Hostias et preces tibi (Chorus)
10. Requiem in D minor, K. 626: V. Sanctus (Chorus)
11. Requiem in D minor, K. 626: VI. Benedictus (Solo Quartet, Chorus)
12. Requiem in D minor, K. 626: VII. Agnus Dei (Chorus)
13. Requiem in D minor, K. 626: VIII. Communio. Lux aeterna (Soprano, Chorus)

Haydn: 3 Keyboard Concertos Hob. XVIII: 3, 9 & 11

1. Keyboard Concerto in D major, Hob. XVIII:11: I. Vivace
2. Keyboard Concerto in D major, Hob. XVIII:11: II. Un poco adagio
3. Keyboard Concerto in D major, Hob. XVIII:11: III. Allegro assai
4. Keyboard Concerto in G major, Hob. XVIII:9: I. Allegro
5. Keyboard Concerto in G major, Hob. XVIII:9: II. Adagio
6. Keyboard Concerto in G major, Hob. XVIII:9: III. Tempo di minuetto
7. Keyboard Concerto in F major, Hob. XVIII:3: I. Allegro
8. Keyboard Concerto in F major, Hob. XVIII:3: II. Largo cantabile
9. Keyboard Concerto in F major, Hob. XVIII:3: III. Presto

Haydn: Theresienmesse

1. Theresienmesse, Hob. XXII:12: Kyrie
2. Theresienmesse, Hob. XXII:12: Gloria. Gloria in excelsis Deo
3. Theresienmesse, Hob. XXII:12: Gloria. Gratias agimus tibi
4. Theresienmesse, Hob. XXII:12: Gloria. Quaniam tu solus Sanctus
5. Theresienmesse, Hob. XXII:12: Credo. Credo in unum Deum
6. Theresienmesse, Hob. XXII:12: Credo. Et incarnatus est
7. Theresienmesse, Hob. XXII:12: Credo. Et resurrexit
8. Theresienmesse, Hob. XXII:12: Credo. Et vitam venturi saeculi
9. Theresienmesse, Hob. XXII:12: Sanctus. Sanctus Dominus
10. Theresienmesse, Hob. XXII:12: Sanctus. Pleni sunt coeli et terra
11. Theresienmesse, Hob. XXII:12: Benedictus
12. Theresienmesse, Hob. XXII:12: Agnus Dei. Agnus Dei
13. Theresienmesse, Hob. XXII:12: Agnus Dei. Dona nobis pacem

Mendelssohn: Psalms 42 & 95

1. Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: I. Chorus: “Wie der Hirsch schreit” (Chorus)
2. Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: II. Aria: “Meine Seele dürstet nach Gott” (Soprano I)
3. Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: III. Recitative: “Meine Tränen sind Meine speise” (Soprano I)
4. Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: IV. Aria and Chorus: “Denn ich wollte gern hingehen” (Soprano I, Chorus)
5. Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: V. Chorus: “Was betrübst du dich, meine Seele” (Chorus)
6. Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: VI. Recitative: “Meine Gott, betrübt ist meine Seele” (Soprano I)
7. Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: VII. Quintet: “Der Herr hat des Tages” (Chorus, Soprano I)
8. Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: VIII. Schlusschor: “Was betrübst du dich, meine Seele” (Chorus)
9. Psalm 95 “Kommt, lasst uns anbeten”, op. 46, MWV A16: I. “Kommt, lasst uns anbeten” (Chorus, Tenor)
10. Psalm 95 “Kommt, lasst uns anbeten”, op. 46, MWV A16: II. “Kommt, herzu” (Chorus, Soprano I)
11. Psalm 95 “Kommt, lasst uns anbeten”, op. 46, MWV A16: III. “Denn in seiner Hand” (Soprano I & II)
12. Psalm 95 “Kommt, lasst uns anbeten”, op. 46, MWV A16: IV. “Denn sein ist das Meer” (Chorus, Tenor)
13. Psalm 95 “Kommt, lasst uns anbeten”, op. 46, MWV A16: V. “Heute, so ihr seine Stimme höret” (Chorus, Tenor)

Mozart: Great Mass in C minor

1. Great Mass in C minor, K. 427/417a: Kyrie (Chorus, Soprano I)
2. Great Mass in C minor, K. 427/417a: Gloria. Gloria in excelsis Deo (Chorus)
3. Great Mass in C minor, K. 427/417a: Gloria. Laudamus Te (Soprano II)
4. Great Mass in C minor, K. 427/417a: Gloria. Gratias agimus tibi (Chorus)
5. Great Mass in C minor, K. 427/417a: Gloria. Domine Deus (Sopranos I & II)
6. Great Mass in C minor, K. 427/417a: Gloria. Qui tollis peccata mundi (Chorus)
7. Great Mass in C minor, K. 427/417a: Gloria. Quoniam tu solus sanctus (Sopranos I & II, Tenor)
8. Great Mass in C minor, K. 427/417a: Gloria. Jesu Christe (Chorus)
9. Great Mass in C minor, K. 427/417a: Gloria. Cum Sancto Spiritu (Chorus)
10. Great Mass in C minor, K. 427/417a: Credo: Credo in unum Deum (Chorus)
11. Great Mass in C minor, K. 427/417a: Credo: Et incarnatus est (Chorus)
12. Great Mass in C minor, K. 427/417a: Sanctus (Chorus)
13. Great Mass in C minor, K. 427/417a: Benedictus (Solo Quartet, Chorus)

Mendelssohn: Psalms 98 & 115 / Lauda Sion

1. Psalm 115 “Nicht unserm Namen, Herr”, op. 31, MWV A9: I. Chorus: “Nicht unserm Namen, Herr”
2. Psalm 115 “Nicht unserm Namen, Herr”, op. 31, MWV A9: II. Duet with Chorus: “Israel hofft auch dich” (Soprano, Tenor, Chorus)
3. Psalm 115 “Nicht unserm Namen, Herr”, op. 31, MWV A9: III. Arioso: “Er segne euch je mehr und mehr” (Baritone)
4. Psalm 115 “Nicht unserm Namen, Herr”, op. 31, MWV A9: IV. Chorus: “Die Todten werden dich nicht loben”
5. Psalm 98 “Singet dem Herrn ein neues Lied”, op. 91, MWV A23: I. “Singet dem Herrn ein neues Lied”
6. Psalm 98 “Singet dem Herrn ein neues Lied”, op. 91, MWV A23: II. “Jauchzet dem Herrn”
7. Psalm 98 “Singet dem Herrn ein neues Lied”, op. 91, MWV A23: III. “Es wird den Erdkreis richten”
8. Lauda Sion, op. 73, MWV A24: I. Chorus: “Lauda Sion Salvatorem”
9. Lauda Sion, op. 73, MWV A24: II. Chorus: “Laudis thema specialis”
10. Lauda Sion, op. 73, MWV A24: III. Aria & Chorus: “Sit laus plena sit sonora” (Soprano, Chorus)
11. Lauda Sion, op. 73, MWV A24: IV. Quartet: “In hac mensa novi regis” (Soloists)
12. Lauda Sion, op. 73, MWV A24: V. Chorus: “Docti sacris institutis”
13. Lauda Sion, op. 73, MWV A24: VI. Aria: “Caro cibus, sanguis potus” (Soprano)
14. Lauda Sion, op. 73, MWV A24: VII. Aria & Chorus: “Sumit unus, sumunt mille” (Soloists, Chorus)

Schubert: Stabat Mater / Offertorium / Magnificat

1. Stabat Mater in F minor, D. 383: I. Chorus: “Jesus Christus schwebt am Kreuze!”
2. Stabat Mater in F minor, D. 383: II. Aria: “Bei des Mittlers Kreuze standen bang” (Soprano)
3. Stabat Mater in F minor, D. 383: III. Chorus: “Liebend neiget er sein Antlitz”
4. Stabat Mater in F minor, D. 383: IV. Duet: “Engel freuten sich der Wonne” (Soprano, Tenor)
5. Stabat Mater in F minor, D. 383: V. Chorus: “Wer wird Zähren”
6. Stabat Mater in F minor, D. 383: VI. Aria: “Ach, was hätten wir empfunden” (Tenor)
7. Stabat Mater in F minor, D. 383: VII. Chorus: “Erben sollen sie am Throne”
8. Stabat Mater in F minor, D. 383: VIII. Aria: “Sohn des Vaters, aber leiden” (Bass)
9. Stabat Mater in F minor, D. 383: IX. Chorus: “O du herrlicher”
10. Stabat Mater in F minor, D. 383: X. Trio: “Erdenfreuden und ihr Elend” (Soprano, Tenor, Bass)
11. Stabat Mater in F minor, D. 383: XI. Trio with Chorus: “Dass dereinst wir, wenn im Tode” (Soprano, Tenor, Bass, Chorus)
12. Stabat Mater in F minor, D. 383: XII. Chorus: “Amen”
13. Offertorium, D. 963
14. Magnificat, D. 486

Haydn: Stabat Mater in G minor

1. Stabat Mater in G minor, Hob. XXbis: I. Stabat Mater (Chorus)
2. Stabat Mater in G minor, Hob. XXbis: II. O quam tristis et afflicta (Alto)
3. Stabat Mater in G minor, Hob. XXbis: III. Quis est homo (Chorus)
4. Stabat Mater in G minor, Hob. XXbis: IV. Quis non posset (Soprano)
5. Stabat Mater in G minor, Hob. XXbis: V. Pro peccatis suae gentis (Bass)
6. Stabat Mater in G minor, Hob. XXbis: VI. Vidit suum dulcem natum (Tenor)
7. Stabat Mater in G minor, Hob. XXbis: VII. Eja Mater, fons amoris (Chorus)
8. Stabat Mater in G minor, Hob. XXbis: VIII. Sancta Mater, istud agas (Soprano, Tenor)
9. Stabat Mater in G minor, Hob. XXbis: IX. Fac me vere tecum flere (Alto)
10. Stabat Mater in G minor, Hob. XXbis: X. Virgo virginum praeclara (Soloists, Chorus)
11. Stabat Mater in G minor, Hob. XXbis: XI. Flammis orci ne succendar (Bass)
12. Stabat Mater in G minor, Hob. XXbis: XII. Fac me cruce custodiri (Tenor)
13. Stabat Mater in G minor, Hob. XXbis: XIII. Quando corpus morietur (Soprano, Mezzo-soprano, Chorus) / Paradisi gloria (Soprano, Chorus)

Mendelssohn: Elias (beginning)

1. Elias, op. 70, MWV A25: Part 1. Einleitung: “So wahr der Herr” (Bass)
2. Elias, op. 70, MWV A25: Part 1. Ouverture
3. Elias, op. 70, MWV A25: Part 1. No. 1 Chorus and Recitative: “Willst du uns denn gar vertilgen” - “Hilf, Herr!” (Chorus)
4. Elias, op. 70, MWV A25: Part 1. No. 2 Duet with Chorus: “Herr, höre unser Gebet!” (Soprano, Alto)
5. Elias, op. 70, MWV A25: Part 1. No. 3 Recitative: “Zerreißet eure Herzen” (Tenor)
6. Elias, op. 70, MWV A25: Part 1. No. 4 Aria: “So ihr mich von ganzem Herzen suchet” (Tenor)
7. Elias, op. 70, MWV A25: Part 1. No. 5 Chorus: “Aber der Herr sieht es nicht”
8. Elias, op. 70, MWV A25: Part 1. No. 6 Recitative: “Elias! Gehe weg von hinnen” (Alto)
9. Elias, op. 70, MWV A25: Part 1. No. 7a Double Quartet: “Denn er hat seinen Engeln befohlen” (Soprano, Alto, Tenor, Bass, Chorus)
10. Elias, op. 70, MWV A25: Part 1. No. 7b Recitative: “Nun auch der Bach vertrocknet ist” (Soprano)
11. Elias, op. 70, MWV A25: Part 1. No. 8 Recitative, Aria and Duet: “Was hast du an mir getan” (Soprano, Bass)
12. Elias, op. 70, MWV A25: Part 1. No. 9 Chorus: “Wohl dem, der den Herrn fürchtet”
13. Elias, op. 70, MWV A25: Part 1. No. 10 Recitative with Chorus: “So wahr der Herr Zebaoth lebet” (Bass, Chorus)
14. Elias, op. 70, MWV A25: Part 1. No. 11 Chorus: “Baal, erhöre uns!”
15. Elias, op. 70, MWV A25: Part 1. No. 12 Recitative and Chorus: “Rufet lauter! Denn er ist ja Gott!” (Bass, Chorus)
16. Elias, op. 70, MWV A25: Part 1. No. 13 Recitative and Chorus: “Rufet lauter! Er hört euch nicht!” (Bass, Chorus)
17. Elias, op. 70, MWV A25: Part 1. No. 14 Aria: “Kommt her, alles Volk” - “Herr Gott Abrahams” (Bass)
18. Elias, op. 70, MWV A25: Part 1. No. 15 Quartet: “Wirf dein Anliegen auf den Herrn” (Soprano, Alto, Tenor, Bass)
19. Elias, op. 70, MWV A25: Part 1. No. 16 Recitative with Chorus: “Der du deine Diener machst zu Geistern” (Bass)
20. Elias, op. 70, MWV A25: Part 1. No. 17 Aria: “Ist nicht des Herrn Wort wie ein Feuer” (Bass)
21. Elias, op. 70, MWV A25: Part 1. No. 18 Arioso: “Weh ihnen, dass sie von mir weichen!” (Alto)
22. Elias, op. 70, MWV A25: Part 1. No. 19 Recitative with Chorus: “Hilf deinem Volk, du Mann Gottes!” (Tenor, Bass, Chorus, Soprano)
23. Elias, op. 70, MWV A25: Part 1. No. 20 Chorus: “Dank sei dir Gott”

Mendelssohn: Elias (conclusion)

1. Elias, op. 70, MWV A25: Part 2. No. 21 Arias and Recitative: “Höre, Israel, höre des Herrn Stimme!” (Soprano)
2. Elias, op. 70, MWV A25: Part 2. No. 22 Chorus: “Fürchte dich nicht, spricht unser Gott”
3. Elias, op. 70, MWV A25: Part 2. No. 23 Recitative with Chorus: “Der Herr hat dich erhoben” (Bass, Chorus)
4. Elias, op. 70, MWV A25: Part 2. No. 24 Chorus: “Wehe ihm! Er muss sterben!”
5. Elias, op. 70, MWV A25: Part 2. No. 25 Recitative: “Du Mann Gottes” (Tenor)
6. Elias, op. 70, MWV A25: Part 2. No. 26 Aria: “Es ist genug!” (Bass)
7. Elias, op. 70, MWV A25: Part 2. No. 27 Recitative: “Siehe, er schläft” (Tenor)
8. Elias, op. 70, MWV A25: Part 2. No. 28 Trio: “Hebe deine Augen auf zu den Bergen” (Soprano, Soprano II, Alto)
9. Elias, op. 70, MWV A25: Part 2. No. 29 Chorus: “Siehe, der Hüter Israels”
10. Elias, op. 70, MWV A25: Part 2. No. 30 Recitative: “Stehe auf, Elias” (Alto)
11. Elias, op. 70, MWV A25: Part 2. No. 31 Aria: “Sei stille dem Herrn” (Alto)
12. Elias, op. 70, MWV A25: Part 2. No. 32 Chorus: “Wer bis an das Ende beharrt”
13. Elias, op. 70, MWV A25: Part 2. No. 33 Recitative: “Herr, es wird Nacht um mich” (Bass)
14. Elias, op. 70, MWV A25: Part 2. No. 34 Chorus: “Der Herr ging vorüber”
15. Elias, op. 70, MWV A25: Part 2. No. 35 Recitative: “Seraphim standen über ihm” (Alto) - Quartet with Chorus: “Heilig ist Gott der Herr” (Soprano, Alto, Tenor, Bass, Chorus)
16. Elias, op. 70, MWV A25: Part 2. No. 36 Chorus & Recitative: “Gehe wiederum hinab!” (Chorus)
17. Elias, op. 70, MWV A25: Part 2. No. 37 Arioso: “Ja, es sollen wohl Berge weichen” (Bass)
18. Elias, op. 70, MWV A25: Part 2. No. 38 Chorus: “Und der Prophet Elias brach hervor”
19. Elias, op. 70, MWV A25: Part 2. No. 39 Aria: “Dann werden die Gerechten leuchten” (Tenor)
20. Elias, op. 70, MWV A25: Part 2. No. 40 Recitative: “Darum ward gesendet der Prophet Elias” (Soprano)
21. Elias, op. 70, MWV A25: Part 2. No. 41a Chorus: “Aber einer erwacht von Mitternacht”
22. Elias, op. 70, MWV A25: Part 2. No. 41b Quartet: “Wohlan, alle, die ihr durstig seid” (Soprano, Alto, Tenor, Bass)
23. Elias, op. 70, MWV A25: Part 2. No. 42 Schlusschor: “Alsdann wird euer Licht hervorbrechen”

Duruflé: Requiem

1. Requiem, op. 9: I. Introit (Chorus)
2. Requiem, op. 9: II. Kyrie (Chorus)
3. Requiem, op. 9: III. Domine Jesu Christe (Baritone, Chorus)
4. Requiem, op. 9: IV. Sanctus (Chorus)
5. Requiem, op. 9: V. Pie Jesu (Mezzo-soprano, Chorus)
6. Requiem, op. 9: VI. Agnus Dei (Chorus)
7. Requiem, op. 9: VII. Lux aeterna (Chorus)
8. Requiem, op. 9: VIII. Libera me (Baritone, Chorus)
9. Requiem, op. 9: IX. In Paradisum (Chorus)
10. Quatre Motets sur des thèmes grégoriens, op. 10: I. Ubi caritas et amor
11. Quatre Motets sur des thèmes grégoriens, op. 10: II. Tota pulchra es
12. Quatre Motets sur des thèmes grégoriens, op. 10: III. Tu es Petrus
13. Quatre Motets sur des thèmes grégoriens, op. 10: IV. Tantum Ergo

Brahms: Ein deutsches Requiem (1986)

1. Ein deutsches Requiem, op. 45: I. “Selig sind, die da Leid tragen”
2. Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras”
3. Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich”
4. Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind deine Wohnungen, Herr Zebaoth!”
5. Ein deutsches Requiem, op. 45: V. “Ihr habt nun Trarigkeit”
6. Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt”
7. Ein deutsches Requiem, op. 45: VII. “Selig sind die Toten, die in dem Herren sterben”

Mendelssohn: Paulus (beginning)

1. Paulus, op. 36, MWV A14: Ouvertüre
2. Paulus, op. 36, MWV A14: Part 1. No. 1 Chorus: “Herr, der du bist der Gott”
3. Paulus, op. 36, MWV A14: Part 1. No. 2 Choral: “Allein Gott in der Höh' sei Ehr”
4. Paulus, op. 36, MWV A14: Part 1. No. 3 Recitative and Duet: “Die Menge der Gläubigen” (Soprano, Bass)
5. Paulus, op. 36, MWV A14: Part 1. No. 4 Chorus: “Dieser Mensch hört nicht auf zu reden Lästerworte”
6. Paulus, op. 36, MWV A14: Part 1. No. 5 Recitative with Chorus: “Und sie sahen auf ihn alle” (Soprano, Tenor, Chorus)
7. Paulus, op. 36, MWV A14: Part 1. No. 6 Aria: “Jerusalem, die du tötest die Propheten” (Soprano)
8. Paulus, op. 36, MWV A14: Part 1. No. 7 Recitative and Chorus: “Sie aber stürmtenauf ihn ein” (Tenor, Chorus)
9. Paulus, op. 36, MWV A14: Part 1. No. 8 Recitative and Choral: “Und sie steinigten ihn” (Tenor, Chorus)
10. Paulus, op. 36, MWV A14: Part 1. No. 9 Recitative: “Und die Zeugen legten ab ihre Kleider” (Soprano) / No. 10 Chorus: “Siehe! Wir preisen selig”
11. Paulus, op. 36, MWV A14: Part 1. No. 11 Recitative: “Saulus aber zerstörte die Gemeinde” (Tenor) / Aria: “Vertilge sie, Herr Zebaoth”
12. Paulus, op. 36, MWV A14: Part 1. No. 12 Recitative: “Und zog mit einer Schar” / Arioso: “Doch der Herr vergisst die seinen nicht” (Alto)
13. Paulus, op. 36, MWV A14: Part 1. No. 13 Recitative with Chorus: “Und als er auf dem Wege war” - “Saul, was verfolgst du mich?” (Tenor, Bass, Chorus)
14. Paulus, op. 36, MWV A14: Part 1. No. 14 Chorus: “Mache dich auf! Werde Licht!” / No. 15 Choral: “Wachet auf! Ruft uns die Stimme”
15. Paulus, op. 36, MWV A14: Part 1. No. 16 Recitative: “Die Männer aber, die seine Gafährten waren” (Tenor)
16. Paulus, op. 36, MWV A14: Part 1. No. 17 Aria: “Gott sei mir gnädig nach deiner Güte” (Bass)
17. Paulus, op. 36, MWV A14: Part 1. No. 18 Recitative: “Es war aber ein Jünger zu Damaskus” (Tenor, Soprano)
18. Paulus, op. 36, MWV A14: Part 1. No. 19 Aria with Chorus: “Ich danke dir, Herr mein Gott” (Bass, Chorus)
19. Paulus, op. 36, MWV A14: Part 1. No. 20 Recitative: “Und Ananias ging hin” (Soprano, Tenor) / No. 21 Chorus: “O welch eine Tiefe des Reichtums”

Mendelssohn: Paulus (end) / “Lass’, o Herr, mich Hülfe finden”

1. Paulus, op. 36, MWV A14: Part 2. No. 22: “Der Erdkreis ist nun des Herrn”
2. Paulus, op. 36, MWV A14: Part 2. No. 23 Recitative: “Und Paulus Kam zu der Gemeinde” (Soprano) / No. 24 Duettino: “So sind wir nun Botschafter” (Tenor, Bass)
3. Paulus, op. 36, MWV A14: Part 2. No. 25 Chorus: “Wie lieblich sind die Boten”
4. Paulus, op. 36, MWV A14: Part 2. No. 26 Recitative: “Und wie sie ausgesandt” / Arioso: “Lasst uns singen von der Grande des Herrn” (Soprano)
5. Paulus, op. 36, MWV A14: Part 2. No. 27 Recitative and Chorus: “Da aber die Juden das Volk sahen” (Tenor, Chorus) / No. 28 Chorus & Choral: “Ist das nicht, der zu Jerusalem”
6. Paulus, op. 36, MWV A14: Part 2. No. 28 Recitative: “Paulus aber und Barnabas sprachen” / No. 30 Duet: “Denn also hat uns der Herr geboten” (Tenor, Bass)
7. Paulus, op. 36, MWV A14: Part 2. No. 31 Recitative: “Und es war ein Mann” / No. 32 Chorus: “Die Götter sind den Menschen” / No. 33 Recitative: “Und nannten Barnabas” (Soprano, Chorus)
8. Paulus, op. 36, MWV A14: Part 2. No. 34 Chorus: “Seid uns gnädig, hohe Götter”
9. Paulus, op. 36, MWV A14: Part 2. No. 35 Recitative and Aria: “Da das die Apostel hörten” / Chorus: “Aber unser Gott ist im Himmel” (Tenor, Bass, Chorus)
10. Paulus, op. 36, MWV A14: Part 2. No. 36 Recitative: “Da ward das Volk erreget” / No. 37 Chorus: “Hier ist des Herren Tempel” / No. 38 Recitative: “Und sie alle verfolgten Paulus” (Soprano)
11. Paulus, op. 36, MWV A14: Part 2. No. 39 Cavatine: “Sei getreu bis in den Tod” (Tenor, Chorus)
12. Paulus, op. 36, MWV A14: Part 2. No. 40 Recitative: “Paulus sandte hin und ließ fordern” (Soprano, Bass) / No. 41 Chorus and Recitative: “Schone doch deiner selbst” (Chorus, Bass, Tenor)
13. Paulus, op. 36, MWV A14: Part 2. No. 42 Chorus: “Sehet, welch eine Liebe hat uns der Vater erzeiget”
14. Paulus, op. 36, MWV A14: Part 2. No. 43 Recitative: “Und wenn er gleich geopfert wird” (Soprano) / No. 44 Schlusschor: “Nicht aber ihm allein” (Chorus)
15. “Lass', o Herr, mich Hülfe finden”, op. 96: “Lass', o Herr, mich Hülfe finden”
16. “Lass', o Herr, mich Hülfe finden”, op. 96: Chorale
17. “Lass', o Herr, mich Hülfe finden”, op. 96: “Herr, wir trau'n auf deine Güte”
18. “Lass', o Herr, mich Hülfe finden”, op. 96: Fuga

Mendelssohn: Christus / Psalms 55 & 114 / Ave Maria / Te Deum…

1. Christus, op. 97, MWV A26: I. (a) Recitative: “Da Jesus geboren ward zu Bethlehem” (Soprano) / Trio: “Wo ist der neugeboren König” (Tenor, Basses I & II)
2. Christus, op. 97, MWV A26: I. (b) Chorus: “Es wird ein Stern aus Jacob aufgehn” (Chorus)
3. Christus, op. 97, MWV A26: II. (a) Recitative: “Und der granze Haufe stand auf” (Tenor) / Chorus: “Diesen finden wir”
4. Christus, op. 97, MWV A26: II. (b) Choral: “Er nimmt auf seinen Rücken”
5. Psalm 55 “Hör mein Bitten, Herr”, WoO 15, MWV B49 (orch. 1847)
6. Kirchenmusik, op. 23: No. 3 “Mitten wir im Leben sind” (Martin Luther), MWV B21
7. Kirchenmusik, op. 23: No. 2 Ave Maria, MWV B19
8. “Verleih' uns Frieden”, WoO 5, MWV A11
9. Te Deum in A major, WoO 29, MWV B25
10. Psalm 114 “Da Israel aus Aegypten zog”, op. 51

Rossini: Petite messe solennelle

1. Petite messe solennelle: I. Kyrie - Christe (Soli, Chorus)
2. Petite messe solennelle: II. Gloria - Laudamus te (Soli, Chorus)
3. Petite messe solennelle: III. Gratias (Contralto, Tenor, Bass)
4. Petite messe solennelle: IV. Domine Deus (Tenor)
5. Petite messe solennelle: V. Qui tollis (Soprano, Contralto)
6. Petite messe solennelle: VI. Quoniam (Bass)
7. Petite messe solennelle: VII. Cum Sancto Spiritu (Soli, Chorus)
8. Petite messe solennelle: VIII. Credo (Soli, Chorus)
9. Petite messe solennelle: IX. Crucifixus (Soprano)
10. Petite messe solennelle: X. Et resurrexit (Soli, Chorus)
11. Petite messe solennelle: XI. Preludio religioso (keyboard)
12. Petite messe solennelle: XII. Ritournelle (Harmonium) - Sanctus (Soli, Chorus)
13. Petite messe solennelle: XIII. O Salutaris (Soprano)
14. Petite messe solennelle: XIV. Agnus Dei (Contralto, Chorus)

Gounod: Messe chorale / Saint‐Saëns: Messe à quatre voix

1. Messe chorale: I. Prélude - Kyrie
2. Messe chorale: II. Intonation - Gloria
3. Messe chorale: III. Intonation - Credo
4. Messe chorale: IV. Sanctus - Benedictus
5. Messe chorale: V. Agnus Dei
6. Messe à quatre voix, op. 4: I. Kyrie
7. Messe à quatre voix, op. 4: II. Gloria
8. Messe à quatre voix, op. 4: III. Credo
9. Messe à quatre voix, op. 4: IV. Sanctus
10. Messe à quatre voix, op. 4: V. O salutaris
11. Messe à quatre voix, op. 4: VI. Agnus Dei

Beethoven: Mass in C major / Meeresstille und glückliche Fahrt

1. Mass in C major, op. 86: I. Kyrie (Soli, Chorus)
2. Mass in C major, op. 86: II. Gloria (Soli, Chorus)
3. Mass in C major, op. 86: III. Credo (Soli, Chorus)
4. Mass in C major, op. 86: IV. Sanctus (Chorus)
5. Mass in C major, op. 86: V. Benedictus (Soli, Chorus)
6. Mass in C major, op. 86: VI. Agnus Dei (Soli, Chorus)
7. Meeresstille und glückliche Fahrt, op. 112

Schumann: Requiem für Mignon / Mass in C minor

1. Requiem für Mignon, op. 98b
2. Mass in C minor, op. 147: I. Kyrie (Chorus)
3. Mass in C minor, op. 147: II. Gloria (Soprano, Chorus)
4. Mass in C minor, op. 147: III. Credo (Chorus)
5. Mass in C minor, op. 147: IV. Offertorium (Soprano)
6. Mass in C minor, op. 147: V. Sanctus (Tenor, Bass, Chorus)
7. Mass in C minor, op. 147: VI. Agnus Dei (Chorus)

Mendelssohn: Die erste Walpurgisnacht / “O Haupt voll Blut und Wunden” / Kyrie in D minor

1. Die erste Walpurgisnacht, op. 60, MWV D3: Overture: Das schlechte Wetter - Der Übergang zum Frühling
2. Die erste Walpurgisnacht, op. 60, MWV D3: No. 1 “Es lacht der Mai!” (Allegro vivace non troppo) (Tenor, Chorus)
3. Die erste Walpurgisnacht, op. 60, MWV D3: No. 2 “Könnt ihr so verwegen handeln?” (Allegro non troppo) (Alto, Chorus)
4. Die erste Walpurgisnacht, op. 60, MWV D3: No. 3 “Wer Opfer heut' zu bringen” (Andante maestoso) (Baritone, Chorus)
5. Die erste Walpurgisnacht, op. 60, MWV D3: No. 4 “Verteilt euch” (Allegro leggiero) (Chorus)
6. Die erste Walpurgisnacht, op. 60, MWV D3: No. 5 Recitative: “Diese dumpfen Pfaffenchristen” (Allegro moderato) (Bass, Chorus)
7. Die erste Walpurgisnacht, op. 60, MWV D3: No. 6 “Kommt mit Zacken und mit Gabeln!” (Chorus)
8. Die erste Walpurgisnacht, op. 60, MWV D3: No. 7 “So weit gebracht” (Andante maestoso) (Baritone, Chorus)
9. Die erste Walpurgisnacht, op. 60, MWV D3: No. 8 “Hilf, ach hilf mir, Kriegsgeselle!” (Allegro molto) (Tenor, Chorus)
10. Die erste Walpurgisnacht, op. 60, MWV D3: No. 9 “Die Flamme reinigt sich vom Rauch” (Andante maestoso) (Baritone, Chorus)
11. O Haupt voll Blut und Wunden, MWV A8: No. 1 “O Haupt voll Blut und Wunden” (Chorus)
12. O Haupt voll Blut und Wunden, MWV A8: No. 2 “Du, dessen Todeswunden” (Bass)
13. O Haupt voll Blut und Wunden, MWV A8: No. 3 Choral: “Ich will hier bei dir stehen” (Chorus)
14. Kyrie in D minor, MWV A3

Honegger: La Danse des morts / Une Cantate de Noël

1. La Danse des morts: I. Introduction / II. Dialogue (Speaker, Choir) (von Arthur Honegger)
2. La Danse des morts: III. Lamento (Baritone solo) (von Arthur Honegger)
3. La Danse des morts: IV. Sanglots (Choir) (von Arthur Honegger)
4. La Danse des morts: V. La Réponse de Dieu (Speaker, Orchestra) (von Arthur Honegger)
5. La Danse des morts: VI. Espérance dans la Croix (Soprano, Alto solo, Baritone, Choir) (von Arthur Honegger)
6. Une Cantate de Noël (von Arthur Honegger)

Brahms: Ein deutsches Requiem (1989)

1. Ein deutsches Requiem, op. 45: I. “Selig sind, die da Leid tragen”
2. Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras”
3. Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich”
4. Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind deine Wohnungen, Herr Zebaoth”
5. Ein deutsches Requiem, op. 45: V. “Ihr habt nun Traurigkeit”
6. Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt”
7. Ein deutsches Requiem, op. 45: VII. “Selig sind die Toten, die in dem Herren sterben”

Vierne, A. Alain, Langlais: Masses

1. Messe solennelle in C-sharp minor, op. 16: I. Kyrie eleison (von Louis Vierne)
2. Messe solennelle in C-sharp minor, op. 16: II. Gloria in excelsis Deo (von Louis Vierne)
3. Messe solennelle in C-sharp minor, op. 16: III. Sanctus (von Louis Vierne)
4. Messe solennelle in C-sharp minor, op. 16: IV. Benedictus (von Louis Vierne)
5. Messe solennelle in C-sharp minor, op. 16: V. Agnus Dei (von Louis Vierne)
6. Messe en l'honneur de saint Louis, op. 16: I. Kyrie eleison (von Albert Alain)
7. Messe en l'honneur de saint Louis, op. 16: II. Gloria in excelsis Deo (von Albert Alain)
8. Messe en l'honneur de saint Louis, op. 16: III. Sanctus (von Albert Alain)
9. Messe en l'honneur de saint Louis, op. 16: IV. Benedictus (von Albert Alain)
10. Messe en l'honneur de saint Louis, op. 16: V. Agnus Dei (von Albert Alain)
11. Messe solennelle, op. 67: I. Kyrie eleison (von Jean Langlais)
12. Messe solennelle, op. 67: II. Gloria in excelsis Deo (von Jean Langlais)
13. Messe solennelle, op. 67: III. Sanctus (von Jean Langlais)
14. Messe solennelle, op. 67: IV. Benedictus (von Jean Langlais)
15. Messe solennelle, op. 67: V. Agnus Dei (von Jean Langlais)

Fauré: Requiem / Cantique de Jean Racine / 5 Motets / Messe basse

1. Requiem, op. 48: I. Introit et Kyrie
2. Requiem, op. 48: II. Offertoire
3. Requiem, op. 48: III. Sanctus
4. Requiem, op. 48: IV. Pie Jesu
5. Requiem, op. 48: V. Agnus Dei
6. Requiem, op. 48: VI. Libera me
7. Requiem, op. 48: VII. In Paradisum
8. Cantique de Jean Racine, op. 11 (von Ensemble Vocal de Lausanne, Michel Corboz)
9. Maria Mater gratiae, op. 47 (von Ensemble Vocal de Lausanne, Michel Corboz)
10. Ave verum, op. 65 no. 1
11. Tantum ergo, op. 65 no. 2
12. Tu es Petrus (von Gabriel Fauré)
13. Tantum ergo (von Gabriel Fauré)
14. Messe basse: I. Kyrie
15. Messe basse: II. Sanctus
16. Messe basse: III. Benedictus
17. Messe basse: IV. Agnus Dei

Puccini: Messa di Gloria / Poulenc: Gloria

1. Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Kyrie
2. Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Gloria. Gloria in excelsis Deo / Et in Terra pax / Laudamus te
3. Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Gloria. Gratias agimus tibi
4. Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Gloria. Gloria in excelsis Deo / Domine Deus, Rex coelestis
5. Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Gloria. Qui tollis peccata mundi
6. Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Gloria. Quoniam tu solus sanctus
7. Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Gloria. Cum Sancto Spiritu in gloria Patris / Gloria in excelsis Deo
8. Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Credo. Credo in unum Deum
9. Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Credo. Et incarnatus est
10. Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Credo. Crucifixus
11. Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Credo. Et resurrexit
12. Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Credo. Et unam sanctam catholicam
13. Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Credo. Et expecto resurrectionem
14. Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Sanctus
15. Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Benedictus
16. Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Agnus Dei
17. Gloria, FP 177: I. Gloria
18. Gloria, FP 177: II. Laudamus Te
19. Gloria, FP 177: III. Domine Deus
20. Gloria, FP 177: IV. Domine filii unigenite
21. Gloria, FP 177: V. Domine Deus, Agnus Dei
22. Gloria, FP 177: VI. Qui sedes ad dexteram Patris

Haydn: Missa “Sanctae Caeciliae”

1. Missa “Sanctae Caeciliae”, Hob. XXII:5: Kyrie. Kyrie eleison (Chorus)
2. Missa “Sanctae Caeciliae”, Hob. XXII:5: Kyrie. Christe eleison (Tenor, Chorus)
3. Missa “Sanctae Caeciliae”, Hob. XXII:5: Kyrie. Kyrie eleison (Chorus)
4. Missa “Sanctae Caeciliae”, Hob. XXII:5: Gloria. Gloria in excelsis Deo (Chorus)
5. Missa “Sanctae Caeciliae”, Hob. XXII:5: Gloria. Laudamus te (Soprano)
6. Missa “Sanctae Caeciliae”, Hob. XXII:5: Gloria. Gratias agimus (Chorus)
7. Missa “Sanctae Caeciliae”, Hob. XXII:5: Gloria. Domine Deus (Alto, Tenor, Bass)
8. Missa “Sanctae Caeciliae”, Hob. XXII:5: Gloria. Qui sedes (Alto, Chorus)
9. Missa “Sanctae Caeciliae”, Hob. XXII:5: Gloria. Quoniam tu solus (Soprano, Chorus)
10. Missa “Sanctae Caeciliae”, Hob. XXII:5: Gloria. In gloria Dei Patris (Chorus)
11. Missa “Sanctae Caeciliae”, Hob. XXII:5: Credo. Credo (Soprano, Chorus)
12. Missa “Sanctae Caeciliae”, Hob. XXII:5: Credo. Et incarnatus est (Tenor)
13. Missa “Sanctae Caeciliae”, Hob. XXII:5: Credo. Crucifixus (Bass, Alto)
14. Missa “Sanctae Caeciliae”, Hob. XXII:5: Credo. Et resurrexit (Chorus, Soloists)
15. Missa “Sanctae Caeciliae”, Hob. XXII:5: Credo. Et vitam venturi saeculi (Chorus, Soloists)
16. Missa “Sanctae Caeciliae”, Hob. XXII:5: Sanctus & Benedictus. Sanctus (Chorus)
17. Missa “Sanctae Caeciliae”, Hob. XXII:5: Sanctus & Benedictus. Benedictus (Chorus)
18. Missa “Sanctae Caeciliae”, Hob. XXII:5: Agnus Dei

Mendelssohn: Kirchenmusik / Psalms 2, 22, 43 & 55 / Geistliches Lieder…

1. Kirchenmusik, op. 23: No. 1 “Aus tiefer Not schrei' ich zu dir” (De Profundis), MWV B20 (Martin Luther)
2. Kirchenmusik, op. 23: No. 2 Ave Maria, MWV B19
3. Kirchenmusik, op. 23: No. 3 “Mitten wir im Leben sind mit dem Tod umfangen”, MWV B21 (Martin Luther)
4. Denn er hat seinen Engeln befohlen, MWV B53
5. Psalm 55 “Hör mein Bitten, Herr”, WoO 15, MWV B49 (orig. version 1845)
6. Three Psalms, op. posth. 78: No. 1 Psalm 2 “Warum toben die Heiden”, MWV B41
7. Three Psalms, op. posth. 78: No. 2 Psalm 43 “Richte mich, Gott und führe meine Sache”, MWV B46
8. Three Psalms, op. posth. 78: No. 3 Psalm 22 “Mein Gott, warum hast du mich verlassen”, MWV B51
9. Geistliches Lieder, op. posth. 96, MWV A19: No. 1 “Lass, O Herr, mich Hilfe finden”
10. Geistliches Lieder, op. posth. 96, MWV A19: No. 2 “Deines Kind's Gebet erhöre”
11. Geistliches Lieder, op. posth. 96, MWV A19: No. 3 “Herr, wir traun'n deine Güte”

Verdi: Messa da Requiem

1. Messa da Requiem: I. Requiem e Kyrie. Requiem aeternam (Chorus)
2. Messa da Requiem: I. Requiem e Kyrie. Kyrie eleison (Tenor, Bass, Soprano, Mezzo-soprano)
3. Messa da Requiem: II. Sequenza. Dies irae (Chorus)
4. Messa da Requiem: II. Sequenza. Tuba mirum (Chorus)
5. Messa da Requiem: II. Sequenza. Mors stupebit (Bass)
6. Messa da Requiem: II. Sequenza. Liber scriptus (Mezzo-soprano, Chorus)
7. Messa da Requiem: II. Sequenza. Quid sum miser (Soprano, Mezzo-soprano, Tenor)
8. Messa da Requiem: II. Sequenza. Rex tremendae majestatis (Chorus, Soprano, Mezzo-soprano, Tenor, Bass)
9. Messa da Requiem: II. Sequenza. Recordare (Soprano, Mezzo-soprano)
10. Messa da Requiem: II. Sequenza. Ingemisco (Tenor)
11. Messa da Requiem: II. Sequenza. Confutatis maledictis (Bass, Chorus)
12. Messa da Requiem: II. Sequenza. Lacrymosa (Mezzo-soprano, Bass, Soprano, Tenor, Chorus)
13. Messa da Requiem: III. Offertorio. Domine Jesu Christe / Hostias (Tenor, Mezzo-soprano, Soprano, Bass)
14. Messa da Requiem: IV. Sanctus (Chorus)
15. Messa da Requiem: V. Agnus Dei (Soprano, Mezzo-soprano, Chorus)
16. Messa da Requiem: VI. Communio. Lux aeterna (Mezzo-soprano, Tenor, Bass)
17. Messa da Requiem: VII. Libera me (Soprano, Chorus)

Bomtempo: Requiem à memória de Camões

1. Requiem to the memory of Luis Vas Camões in C minor, op. 23: Introitus. Requiem aeternam (Chorus)
2. Requiem to the memory of Luis Vas Camões in C minor, op. 23: Introitus. Kyrie eleison (Soloists and Chorus)
3. Requiem to the memory of Luis Vas Camões in C minor, op. 23: Sequentia. Dies irae (Chorus) (von João Domingos Bomtempo)
4. Requiem to the memory of Luis Vas Camões in C minor, op. 23: Sequentia. Tuba mirum (Soloists and Chorus) (von João Domingos Bomtempo)
5. Requiem to the memory of Luis Vas Camões in C minor, op. 23: Sequentia. Judex ergo (Chorus) (von João Domingos Bomtempo)
6. Requiem to the memory of Luis Vas Camões in C minor, op. 23: Sequentia. Qui sum miser (Soloists and Chorus) (von João Domingos Bomtempo)
7. Requiem to the memory of Luis Vas Camões in C minor, op. 23: Sequentia. Juste judex chorus (Chorus) (von João Domingos Bomtempo)
8. Requiem to the memory of Luis Vas Camões in C minor, op. 23: Sequentia. Ingemisco & confutatis (Soprano, Mezzo-soprano, Chorus) (von João Domingos Bomtempo)
9. Requiem to the memory of Luis Vas Camões in C minor, op. 23: Sequentia. Lacrymosa (Soloists and Chorus) (von João Domingos Bomtempo)
10. Requiem to the memory of Luis Vas Camões in C minor, op. 23: Offertorium. Domine Jesu Christe (Chorus) (von João Domingos Bomtempo)
11. Requiem to the memory of Luis Vas Camões in C minor, op. 23: Offertorium. Hostias (Soloists and Chorus) (von João Domingos Bomtempo)
12. Requiem to the memory of Luis Vas Camões in C minor, op. 23: Sanctus & Benedictus: Sanctus (Chorus)
13. Requiem to the memory of Luis Vas Camões in C minor, op. 23: Sanctus & Benedictus: Benedictus (Soloists and Chorus)
14. Requiem to the memory of Luis Vas Camões in C minor, op. 23: Agnus Dei. Agnus Dei (Soprano, Chorus) (von João Domingos Bomtempo)
15. Requiem to the memory of Luis Vas Camões in C minor, op. 23: Agnus Dei. Requiem aeternam (Chorus) (von João Domingos Bomtempo)

Mozart: Requiem (1995)

1. Requiem in D minor, K. 626: I. Introitus. Requiem aeternam (Chorus, Soprano)
2. Requiem in D minor, K. 626: II. Kyrie eleison (Chorus)
3. Requiem in D minor, K. 626: III. Sequentia. Dies irae (Chorus)
4. Requiem in D minor, K. 626: III. Sequentia. Tuba mirum (Solo Quartet)
5. Requiem in D minor, K. 626: III. Sequentia. Rex tremendae (Chorus)
6. Requiem in D minor, K. 626: III. Sequentia. Recordare (Solo Quartet)
7. Requiem in D minor, K. 626: III. Sequentia. Confutatis (Chorus)
8. Requiem in D minor, K. 626: III. Sequentia. Lacrimosa (Chorus)
9. Requiem in D minor, K. 626: IV. Offertorium. Domine Jesu Christe (Chorus, Solo Quartet)
10. Requiem in D minor, K. 626: IV. Offertorium. Hostias et preces tibi (Chorus)
11. Requiem in D minor, K. 626: V. Sanctus (Chorus)
12. Requiem in D minor, K. 626: VI. Benedictus (Solo Quartet, Chorus)
13. Requiem in D minor, K. 626: VII. Agnus Dei (Chorus)
14. Requiem in D minor, K. 626: VIII. Communio. Lux aeterna (Soprano, Chorus)

Suppé: Requiem

1. Requiem in D minor: Requiem aeternam. Kyrie eleison (Chorus)
2. Requiem in D minor: Sequentia. Dies irae (Chorus)
3. Requiem in D minor: Sequentia. Tuba mirum (Bass, Chorus)
4. Requiem in D minor: Sequentia. Rex tremendae (Soloists, Chorus)
5. Requiem in D minor: Sequentia. Recordare (Soloists, Chorus)
6. Requiem in D minor: Sequentia. Confutatis (Soloists, Chorus)
7. Requiem in D minor: Sequentia. Lacrimosa (Alto, Chorus)
8. Requiem in D minor: Offertorium. Domine Jesu Christe (Chorus)
9. Requiem in D minor: Offertorium. Hostias et preces tibi (Tenor, Chorus)
10. Requiem in D minor: Sanctus. Sanctus (Chorus)
11. Requiem in D minor: Sanctus. Benedictus (Soloists, Chorus)
12. Requiem in D minor: Sanctus. Agnus Dei. Libera me (Soloists, Chorus)
13. Requiem in D minor: Sanctus. Dies irae / Requiem aeternam (Chorus)